Orchestration 1: From Sketch to Orchestra
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</h4>

<hr>

<p>
The basic orchestration concepts are always the same, whether you grab an orchestration book or take private lessons.
</p><p>

The key difference is in <b>the way those concepts are presented</b>.
</p><p>

There’s a lot that you can read from various sources, but you’ll turbocharge your learning by focusing on the most important concepts and techniques that will <b>greatly improve your orchestration skills</b>.</p>

<hr>
<br>
<h3 style="line-height: 140%; text-align: center; color:#427cc2;">UNDERSTAND HOW TO <b>BALANCE ORCHESTRAL FAMILIES</b> AND HOW TO<br><b>ARRANGE FOR FULL ORCHESTRA</b></h3>
<br>
<br>
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</p><p><span style="letter-spacing: 0.1px;"><b><br></b></span></p><p><span style="letter-spacing: 0.1px;"><b>#1</b>– The <b>distinct features</b> of <b>each instrument</b></span><br></p><ul><li>What are their <b>best ranges</b>?</li><li>Do they stand out and cut through the orchestral mix or do they blend?</li><li>How does the timbre change depending on the range?</li></ul><p><span style="letter-spacing: 0.1px;"><b>#2</b> – Timbre management</span><br></p><ul><li><span style="letter-spacing: 0.1px;">How to <b>combine </b>instruments to create new <b>colors</b></span><br></li><li>When to and when not to use specific blends</li><li>When adding an instrument actually subtracts and lessens the sound</li></ul><p><b>#3</b> – How to <b>voice each section</b></p><p><span style="letter-spacing: 0.1px;"><b>#4</b> – How to use orchestral techniques to achieve <b>separation </b>and a good <b>distribution of the different musical lines</b></span><br></p><p><span style="letter-spacing: 0.1px;"><b>#5</b> – Understand the weight of each section to achieve <b>orchestral balance</b></span><br></p>',
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[header=Understand the basics of each instrument<br> and the role it plays in the orchestra*CONFIDENTLY WRITE FOR FULL ORCHESTRA]

[description]

[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p><p>[header=What is inside the Course]<br></p>

[img=uploads/topics/macbook-mockup2-1-5a8d01d615dec.png]





[modules]
<p></p><p><br></p><p>[header=Weekly live video-chats] 

</p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
</div>








</div>

<p><br></p><p>[header=Have you ever had this feeling of not managing to pick the right instruments to bring your musical idea to life?][featured]</p>

<p></p><p><br></p><p>[header=This is what you're about to learn in this course]</p>

You’ll become an expert at the <b>fundamentals of orchestration</b>, and will learn why it is so important to master the basics before going for more challenging orchestral textures.
<p></p><p>

You’ll discover the importance of a good <b>arrangement to attain balance</b>. You’ll learn how this is going to be much more effective than just using dynamics and how this will almost guarantee the best results no matter the orchestra size.
</p><p>

You’ll discover the go-to <b>voicings </b>and arranging techniques to use for each section when you want to achieve certain effects, such as how to write for brass when you want an epic sound, what range of the flute sounds darker for a sadder tone, how to blend strings and woodwinds to add certain colorations, and how to get more definition for low cello and bass lines.
</p><p>

You’ll discover the importance of <b>doubling </b>and <b>combining instruments</b> and section. You’ll understand how that can sometimes increase the weight of a musical idea or other times will create a new timbre. Most importantly, you’ll learn what instruments NOT to put together depending on what purpose you’re after.
</p><p>

You’ll discover the <b>three basic elements</b> for <b>creating separation</b> so that your music sounds clear. If you are orchestration your orchestral mockup, and using sample libraries to produce your orchestral music, using this three basic elements is going to be of major help for gaining clarity and separation and it going to be the mixing part much easier.</p><p>





</p><p>PLUS&nbsp;</p><p><b>Miguel'scomments and feedback on your exercises and assignments&nbsp;</b></p><p><b>Weekly live video-chats&nbsp;</b></p><p><b>Access to the private group</b></p><p><br></p>





<div class="row">


<div class="col-md-7 mt-3">
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<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><br></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><span style="letter-spacing: 0.1px;"><br></span><br></p><p></p><p></p><p><br></p><p>
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</h4>

<hr>

<p>
The basic orchestration concepts are always the same, whether you grab an orchestration book or take private lessons.
</p><p>

The key difference is in <b>the way those concepts are presented</b>.
</p><p>

There’s a lot that you can read from various sources, but you’ll turbocharge your learning by focusing on the most important concepts and techniques that will <b>greatly improve your orchestration skills</b>.</p>

<hr>
<br>
<h3 style="line-height: 140%; text-align: center; color:#427cc2;">UNDERSTAND HOW TO <b>BALANCE ORCHESTRAL FAMILIES</b> AND HOW TO<br><b>ARRANGE FOR FULL ORCHESTRA</b></h3>
<br>
<br>
',
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</p><p><span style="letter-spacing: 0.1px;"><b><br></b></span></p><p><span style="letter-spacing: 0.1px;"><b>#1</b>– The <b>distinct features</b> of <b>each instrument</b></span><br></p><ul><li>What are their <b>best ranges</b>?</li><li>Do they stand out and cut through the orchestral mix or do they blend?</li><li>How does the timbre change depending on the range?</li></ul><p><span style="letter-spacing: 0.1px;"><b>#2</b> – Timbre management</span><br></p><ul><li><span style="letter-spacing: 0.1px;">How to <b>combine </b>instruments to create new <b>colors</b></span><br></li><li>When to and when not to use specific blends</li><li>When adding an instrument actually subtracts and lessens the sound</li></ul><p><b>#3</b> – How to <b>voice each section</b></p><p><span style="letter-spacing: 0.1px;"><b>#4</b> – How to use orchestral techniques to achieve <b>separation </b>and a good <b>distribution of the different musical lines</b></span><br></p><p><span style="letter-spacing: 0.1px;"><b>#5</b> – Understand the weight of each section to achieve <b>orchestral balance</b></span><br></p>',
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</p><p>[enroll]


[header=Understand the basics of each instrument<br> and the role it plays in the orchestra*CONFIDENTLY WRITE FOR FULL ORCHESTRA]

[description]

[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p><p>[header=What is inside the Course]<br></p>

[img=uploads/topics/macbook-mockup2-1-5a8d01d615dec.png]





[modules]
<p></p><p><br></p><p>[header=Weekly live video-chats] 

</p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
</div>








</div>

<p><br></p><p>[header=Have you ever had this feeling of not managing to pick the right instruments to bring your musical idea to life?][featured]</p>

<p></p><p><br></p><p>[header=This is what you're about to learn in this course]</p>

You’ll become an expert at the <b>fundamentals of orchestration</b>, and will learn why it is so important to master the basics before going for more challenging orchestral textures.
<p></p><p>

You’ll discover the importance of a good <b>arrangement to attain balance</b>. You’ll learn how this is going to be much more effective than just using dynamics and how this will almost guarantee the best results no matter the orchestra size.
</p><p>

You’ll discover the go-to <b>voicings </b>and arranging techniques to use for each section when you want to achieve certain effects, such as how to write for brass when you want an epic sound, what range of the flute sounds darker for a sadder tone, how to blend strings and woodwinds to add certain colorations, and how to get more definition for low cello and bass lines.
</p><p>

You’ll discover the importance of <b>doubling </b>and <b>combining instruments</b> and section. You’ll understand how that can sometimes increase the weight of a musical idea or other times will create a new timbre. Most importantly, you’ll learn what instruments NOT to put together depending on what purpose you’re after.
</p><p>

You’ll discover the <b>three basic elements</b> for <b>creating separation</b> so that your music sounds clear. If you are orchestration your orchestral mockup, and using sample libraries to produce your orchestral music, using this three basic elements is going to be of major help for gaining clarity and separation and it going to be the mixing part much easier.</p><p>





</p><p>PLUS&nbsp;</p><p><b>Miguel'scomments and feedback on your exercises and assignments&nbsp;</b></p><p><b>Weekly live video-chats&nbsp;</b></p><p><b>Access to the private group</b></p><p><br></p>





<div class="row">


<div class="col-md-7 mt-3">
[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
</div>


<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><br></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><span style="letter-spacing: 0.1px;"><br></span><br></p><p></p><p></p><p><br></p><p>
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		'content' => '<p>¡Espero que hayan disfrutado el primer módulo del curso SVO que hemos incluido aquí como contenido adicional para el curso "Orquestación 1: del bosquejo a la orquesta"!</p><p>Lo que me encanta de este módulo es que enseña los fundamentos.<br></p>
<p><strong>¡Los fundamentos lo son todo!</strong></p>
<p>Si dominas los fundamentos, eso <b>es todo lo que necesitas.</b></p>
<p><b>Practíquelos </b>una y otra vez <b>cada vez que esté componiendo.</b></p>
<p>Haga pequeñas variaciones en el concepto original y use su oído analítico para distinguir lo que funciona mejor. ¡Mejorarás tus habilidades de producción y, con el tiempo, te convertirás en un experto!</p>
<p>Esto es lo que te recomiendo que hagas a continuación:</p>
<p>AA medida que comiences a aplicar nuevos fundamentos, te traerán nuevos desafíos:</p>
<ul>
<li><span style="font-weight: normal;">"¿Por qué mis patches&nbsp; de metales suenan falsos?"</span></li>
<li><span style="font-weight: normal;">"¿Debo usar keyswitches o pistas separadas para cada articulación?"</span></li>
<li><span style="font-weight: normal;">“¡Hay tantos patches! No sé cuál es el patche adecuado para tal y tal "</span></li>
<li><span style="font-weight: normal;">"¿Cómo creo una plantilla de orquesta?"</span></li>
<li><span style="font-weight: normal;">"¿Cómo equilibro las diferentes secciones?"</span></li>
<li><span style="font-weight: normal;">"Compré esta costosa librería de cuerdas, pero no puedo lograr ese sonido rico, cálido y cinematográfico para un acompañamiento de fondo lento"</span></li>
<li><span style="font-weight: normal;">"Mis cuerdas staccato no suenan como Hans Zimmer. ¿Por qué?"</span></li>
<li><span style="font-weight: normal;">"Mi mezcla no suena impactante"</span></li>
<li><span style="font-weight: normal;">"¿Por qué suena tan turbio en el extremo medio bajo?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"¿Cómo creo profundidad orquestal?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"Me estoy quedando sin RAM, ¿qué hago?" o "Tengo mucha latencia"</span></li>
</ul>
<p>No te estreses! Es normal. <b>Todos hemos pasado por los mismos problemas al principio.</b></p>
<p>No intentes resolver todos los problemas a la vez. Concéntrese en uno y descubra el camino. Luego, pasa al siguiente.</p>
<p>Así es como construimos el curso SVO.</p>
<p>Creé el primer módulo (los fundamentos) y se lo di gratis a algunos amigos y antiguos alumnos.</p>
<p>Experimentaron con él y me hicieron saber con qué lucharon. Luego creamos el contenido para responderlo. Y hemos estado incluyendo nuevas soluciones a nuevas luchas desde entonces.</p>
<p>Hn suerte, esto lleva años de experiencia y los comprime en unas pocas semanas. Transforma horas de experimentación en <b>consejos y trucos</b> de <b>"así es como funciona"</b> y <b>"así es como se hace".</b></p>
<p>Esto es lo que quieres hacer con tu propio aprendizaje. Descubre lo que está mal. Encuentra la solución. Encuentra los consejos y trucos que funcionan para ti.</p>
<p>Y recuerda que eres parte de una increíble comunidad de compositores. ¡Hay tantos compositores en el grupo ansiosos por ayudar! Participa y haz preguntas.</p>
<p>¡Aproveche los conocimientos de otros para ahorrarle tiempo! ¡Esto lo cambia todo!</p><hr><p>Debido a que ya es un estudiante de composición cinematográfica, si desea obtener el<b> resto del Symphonic Virtual Orchestration course</b>, hemos creado un <b>paquete exclusivo</b>, solo para estudiantes de " Orchestration 1: From Sketch to Orchestra”.<span style="letter-spacing: 0.1px;"></span></p><p><span style="letter-spacing: 0.1px;"></span>El precio de la versión básica del curso SVO es de $ 775. Pero sacamos algunos bonus e incluimos dos revisiones de tareas (en lugar de infinitas), y pudimos&nbsp; bajar el precio.</p><p><span style="letter-spacing: 0.1px;">Este paquete se vende a $ 597 en nuestro sitio. Lo hemos ofrecido a $ 294 en fechas de gran venta, como Black Friday y otros.</span></p><p><span style="letter-spacing: 0.1px;"><b>Como estudiante de orquestación, puede obtener el curso SVO por $ 197 aquí.</b></span></p><p><span style="letter-spacing: 0.1px;"></span>Esto incluye lo mejor del contenido del curso MÁS dos revisiones de tareas.</p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div><span style="letter-spacing: 0.1px;">&nbsp;</span><span style="letter-spacing: 0.1px;"></span>NOTA: Este es un descuento especial solo para estudiantes. Por favor, no compartas el enlace. ¡Gracias!</div></div><hr><h3><b><span style="letter-spacing: 0.1px;">¿Hay otras versiones del curso SVO? ¿Qué otras opciones tengo?</span></b></h3><div><span style="letter-spacing: 0.1px;"></span>El curso SVO tiene cinco partes.</div><ol><li>Introducción a la Orquestación MIDI (dinámica, plantillas, etc.)</li><li>Synthestration, técnicas avanzadas de producción de maquetas</li><li>Mezcla</li><li>Mastering</li><li>La plantilla de Marc</li></ol><p style="
    margin-bottom: 0;
">Estas son las opciones que tienes:</p><ul><li>Versión Lite:<span style="font-weight: normal;"> incluye las partes 1 y 2 - $ 97 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li>Paquete Poderoso<b>: </b>i<span style="font-weight: normal;">ncluye todo: $ 197 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">Basic Version</a></b> -<span style="font-weight: normal;"> mismo contenido que Paquete poderoso + Revisiones de asignación infinita: $ 775</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">PRO Version</a> - igual que los módulos básicos + modulos extras: $ 975</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">EXPERT Version</a> - igual que PRO + Dos sesiones de coaching 1 a 1 con Marc Jovani y otro compositor trabajando activamente en proyectos de Hollywood. - $ 1847</span></li></ul><p>La versión que está obteniendo aquí es la que obtendría con el Paquete Poderoso más dos revisiones de tareas. Esta opción generalmente solo está disponible en fechas de venta especiales por $ 297. Como estudiante, puede obtenerlo aquí por $ 197 ahora.</p><p><span style="letter-spacing: 0.1px;"></span>Esta es una opción obvia para aquellos que desean el contenido, así como los comentarios de un maestro sobre su música.</p><p><span style="letter-spacing: 0.1px;">Obtiene lo mejor del contenido del curso más dos revisiones de tareas por una fracción del precio.</span></p><p></p><div class="flipthis-wrapper"><span style="letter-spacing: 0.1px;" class=""></span><span style="font-weight: normal;">Precio regular del paquete: <span style="letter-spacing: 0.1px;" class=""><span style="
    text-decoration: line-through;
">$597</span></span></span><br><span style="font-weight: normal;">Precio especial en fechas de venta seleccionadas: <span style="letter-spacing: 0.1px;" class=""><span style="letter-spacing: 0.1px; text-decoration-line: line-through;">$294</span><br><span style="
    font-size: larger;
">Oferta exclusiva solo para estudiantes: <b>$197</b></span></span></span></div>


<br><br><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div></div><hr><h3><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Cuál es la diferencia entre Orchestration 1: From Sketch to Orchestra y Symphonic Virtual Orchestration?</span></b></h3><p></p><ul><ul></ul></ul><ul><ul></ul></ul><p></p><p><b>El curso de "Orquestación"</b> (este curso) enseña orquestación tradicional. Cómo escribir para música orquestal. Enseña Orquestación (cómo orquestar para cuerdas, metales, maderas, percusión... voces, equilibrio entre diferentes familias, etc.).</p><p><b>El curso "SVO"</b> enseña la PRODUCCIÓN DE MOCKUP ORQUESTRAL. Cómo usar su secuenciador (Cubase, Logic, Digital Performer) y librerías de muestras (Spitfire, EastWest, etc.) y plugins (Waves, Fabfilter...) para producir maquetas orquestales. Enseña Synthestration (orquestación para librerías de samples), mezcla y masterización. Se trata de la producción de música orquestal.</p><hr><h3 style="color: rgb(0, 0, 0);"><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Qué incluye el curso SVO?</span></b></h3><p></p><ul></ul><ul></ul><p></p><p>Este es el programa de estudios de SVO. (El primer módulo - Synthestration. Tácticas para un buen sonido - se incluyó como contenido adicional en este curso)</p>


<h3><span style="color: inherit;">Synthestration. Tactics For A Good Sound</span><br></h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Difference – Samples &amp; Real Orchestra</li>
<li>&nbsp;Recording Dynamics</li>
<li>&nbsp;Balance</li>
<li>&nbsp;Balance - Bonus Video</li>
<li>&nbsp;Panning</li>
<li>&nbsp;Layers: Distributing your Musical Ideas</li>
<li>&nbsp;Volume: 7, 11, Kontakt, Audio, Gain, etc</li>
<li>&nbsp;Keyswitches</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Using Templates To Boost Productivity</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Routing Concepts</li>
<li>&nbsp;Small &amp; Big Templates. Pros &amp; Cons</li>
<li>&nbsp;Routing. Within Your Sequencer</li>
<li>&nbsp;Minimum set-up</li>
<li>&nbsp;Modular Template (Sonar &amp; Cubase)</li>
<li>&nbsp;Organization: Groups, Kontakt Instances, Buses, Stems</li>
<li>&nbsp;Organization - Bonus Video: Setting up your DAW for film scoring</li>
<li>&nbsp;Reverbs</li>
<li>&nbsp;Computer Specs</li>
<li>&nbsp;Latency Optimizing</li>
<li>&nbsp;Bonus - Sketching Super Patches</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 1: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Ready-to-go Tracks: configured and pre-routed</li>
<li>&nbsp;Getting a Tight &amp; Powerful Orchestral Sound</li>
<li>&nbsp;Orchestrating Percussion Beds</li>
<li>&nbsp;Sequencing a Percussion Bed</li>
<li>&nbsp;Ensemble Patches: benefits and when to use them</li>
<li>&nbsp;Sequencing Long Strings</li>
<li>&nbsp;Sequencing Trumpets</li>
<li>&nbsp;Horn Patches: for an epic cinematic sound</li>
<li>&nbsp;Tremolo Strings</li>
<li>&nbsp;Low Staccato Strings: for an epic cinematic sound</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 2: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Strings Measured Tremolos/Staccatos</li>
<li>&nbsp;Sequencing Fast Strings - Three Approaches</li>
<li>&nbsp;The Timpani, as a main orchestral percussion instrument</li>
<li>&nbsp;Blending Orchestral and Percussion Parts</li>
<li>&nbsp;Blending Choir and Orchestra</li>
<li>&nbsp;Compressing Velocities. The easy way.</li>
<li>&nbsp;Is importing MIDI from the score editor to sequencer a good idea?</li>
<li>&nbsp;Sketching in your Sequencer</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (1). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mixing with Stems</li>
<li>&nbsp;Analog Saturation</li>
<li>&nbsp;Reverb</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Compression</li>
<li>&nbsp;Automation: Where the Magic Happens</li>
<li>&nbsp;Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (2). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Mixing - Overview Sections</li>
<li>&nbsp;Mixing - High Strings</li>
<li>&nbsp;Mixing - Low Strings</li>
<li>&nbsp;Mixing - Strings Automation</li>
<li>&nbsp;Mixing - Horns</li>
<li>&nbsp;Mixing - Trumpets</li>
<li>&nbsp;Mixing - Choirs</li>
<li>&nbsp;Mixing - Brass Ensemble</li>
<li>&nbsp;Mixing - Flute</li>
<li>&nbsp;Mixing - Electric Bass</li>
<li>&nbsp;Mixing - High Percussion</li>
<li>&nbsp;Mixing - Mid &amp; Low Percussion</li>
<li>&nbsp;Mixing - Piano</li>
<li>&nbsp;Mixing - Celesta</li>
<li>&nbsp;Mixing - Harp</li>
<li>&nbsp;Mixing - Connecting Reverb</li>
<li>&nbsp;Mixed Track</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (3). Expanding Mixing Depth</h3>
<ul>
<li>&nbsp;Expanding Mixing Depth</li>
<li>&nbsp;Expanding Mixing Depth - Reverbs</li>
<li>&nbsp;Expanding Mixing Depth - Delays</li>
<li>&nbsp;Expanding Mixing Depth - FX</li>
<li>&nbsp;Expanding Mixing Depth - MaxxBass</li>
<li>&nbsp;Learning from the pros</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mastering</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mastering - Overview</li>
<li>&nbsp;Mastering - EQ</li>
<li>&nbsp;Mastering - Analog Saturation</li>
<li>&nbsp;Mastering - Dynamics</li>
<li>&nbsp;Mastering - Exciter</li>
<li>&nbsp;Mastering - Imager</li>
<li>&nbsp;Mastering - Maximizer</li>
<li>&nbsp;Mastering - Automation</li>
<li>&nbsp;Mastered Track</li>
<li>&nbsp;Bonus Video - Mastering with standard (non UAD) plugins</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Composing Workflow: Efficiency</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Composing</li>
<li>&nbsp;Mixing</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Bonus #1: Class A Composers' Systems, Explained</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Tom Holkenborg</li>
<li>&nbsp;Harry Gregson-Williams</li>
<li>&nbsp;John Powell</li>
</ul>
<h3>Bonus #2: Case Studios, Behind The Scenes (PRO Version)</h3>
<ul>
<li>&nbsp;Thriller/Spy/Comedy</li>
<li>&nbsp;Romantic Love Ballade - Part 1</li>
<li>&nbsp;Romantic Love Ballade - Part 2</li>
<li>&nbsp;Grand Orchestral Trailer - Intro</li>
<li>&nbsp;Grand Orchestral Trailer - Composing</li>
<li>&nbsp;Grand Orchestral Trailer - Mixing</li>
<li>&nbsp;Grand Orchestral Trailer - Mastering</li>
<li>&nbsp;Action/Adventure - Synthestration</li>
<li>&nbsp;Action/Adventure - Mixing 1</li>
<li>&nbsp;Action/Adventure Mixing 2</li>
</ul>
<h3>Bonus #3: Studio Ergonomics (PRO Version)</h3>
<ul>
<li>&nbsp;Basic Desk Schematics</li>
<li>&nbsp;Composer Desk Under $70</li>
<li>&nbsp;Minimal Gear and How to Distribute It in Your Desk</li>
</ul>
<h3>Bonus #4: Sample Libraries List (EXPERT Version)</h3>
<ul>
<li>&nbsp;Marc Jovani's Template</li>
</ul>
<h3>Bonus #5: 1h Coaching Call With Marc (EXPERT Version)</h3>
<h3>Bonus #6: 1h Coaching Call With An Active Composer Working In The Hollywood Industry (EXPERT Version)</h3>
<p><br></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div>NOTA: Este es un descuento especial solo para estudiantes. Esta versión incluye lo mejor del contenido del curso (Paquete poderoso + Plantilla de Marc) más dos revisiones de tareas por una fracción del precio.</div><div><br></div></div>',
		'es_version' => '<p>¡Espero que hayan disfrutado el primer módulo del curso SVO que hemos incluido aquí como contenido adicional para el curso "Orquestación 1: del bosquejo a la orquesta"!</p><p>Lo que me encanta de este módulo es que enseña los fundamentos.<br></p>
<p><strong>¡Los fundamentos lo son todo!</strong></p>
<p>Si dominas los fundamentos, eso <b>es todo lo que necesitas.</b></p>
<p><b>Practíquelos </b>una y otra vez <b>cada vez que esté componiendo.</b></p>
<p>Haga pequeñas variaciones en el concepto original y use su oído analítico para distinguir lo que funciona mejor. ¡Mejorarás tus habilidades de producción y, con el tiempo, te convertirás en un experto!</p>
<p>Esto es lo que te recomiendo que hagas a continuación:</p>
<p>AA medida que comiences a aplicar nuevos fundamentos, te traerán nuevos desafíos:</p>
<ul>
<li><span style="font-weight: normal;">"¿Por qué mis patches&nbsp; de metales suenan falsos?"</span></li>
<li><span style="font-weight: normal;">"¿Debo usar keyswitches o pistas separadas para cada articulación?"</span></li>
<li><span style="font-weight: normal;">“¡Hay tantos patches! No sé cuál es el patche adecuado para tal y tal "</span></li>
<li><span style="font-weight: normal;">"¿Cómo creo una plantilla de orquesta?"</span></li>
<li><span style="font-weight: normal;">"¿Cómo equilibro las diferentes secciones?"</span></li>
<li><span style="font-weight: normal;">"Compré esta costosa librería de cuerdas, pero no puedo lograr ese sonido rico, cálido y cinematográfico para un acompañamiento de fondo lento"</span></li>
<li><span style="font-weight: normal;">"Mis cuerdas staccato no suenan como Hans Zimmer. ¿Por qué?"</span></li>
<li><span style="font-weight: normal;">"Mi mezcla no suena impactante"</span></li>
<li><span style="font-weight: normal;">"¿Por qué suena tan turbio en el extremo medio bajo?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"¿Cómo creo profundidad orquestal?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"Me estoy quedando sin RAM, ¿qué hago?" o "Tengo mucha latencia"</span></li>
</ul>
<p>No te estreses! Es normal. <b>Todos hemos pasado por los mismos problemas al principio.</b></p>
<p>No intentes resolver todos los problemas a la vez. Concéntrese en uno y descubra el camino. Luego, pasa al siguiente.</p>
<p>Así es como construimos el curso SVO.</p>
<p>Creé el primer módulo (los fundamentos) y se lo di gratis a algunos amigos y antiguos alumnos.</p>
<p>Experimentaron con él y me hicieron saber con qué lucharon. Luego creamos el contenido para responderlo. Y hemos estado incluyendo nuevas soluciones a nuevas luchas desde entonces.</p>
<p>Hn suerte, esto lleva años de experiencia y los comprime en unas pocas semanas. Transforma horas de experimentación en <b>consejos y trucos</b> de <b>"así es como funciona"</b> y <b>"así es como se hace".</b></p>
<p>Esto es lo que quieres hacer con tu propio aprendizaje. Descubre lo que está mal. Encuentra la solución. Encuentra los consejos y trucos que funcionan para ti.</p>
<p>Y recuerda que eres parte de una increíble comunidad de compositores. ¡Hay tantos compositores en el grupo ansiosos por ayudar! Participa y haz preguntas.</p>
<p>¡Aproveche los conocimientos de otros para ahorrarle tiempo! ¡Esto lo cambia todo!</p><hr><p>Debido a que ya es un estudiante de composición cinematográfica, si desea obtener el<b> resto del Symphonic Virtual Orchestration course</b>, hemos creado un <b>paquete exclusivo</b>, solo para estudiantes de " Orchestration 1: From Sketch to Orchestra”.<span style="letter-spacing: 0.1px;"></span></p><p><span style="letter-spacing: 0.1px;"></span>El precio de la versión básica del curso SVO es de $ 775. Pero sacamos algunos bonus e incluimos dos revisiones de tareas (en lugar de infinitas), y pudimos&nbsp; bajar el precio.</p><p><span style="letter-spacing: 0.1px;">Este paquete se vende a $ 597 en nuestro sitio. Lo hemos ofrecido a $ 294 en fechas de gran venta, como Black Friday y otros.</span></p><p><span style="letter-spacing: 0.1px;"><b>Como estudiante de orquestación, puede obtener el curso SVO por $ 197 aquí.</b></span></p><p><span style="letter-spacing: 0.1px;"></span>Esto incluye lo mejor del contenido del curso MÁS dos revisiones de tareas.</p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div><span style="letter-spacing: 0.1px;">&nbsp;</span><span style="letter-spacing: 0.1px;"></span>NOTA: Este es un descuento especial solo para estudiantes. Por favor, no compartas el enlace. ¡Gracias!</div></div><hr><h3><b><span style="letter-spacing: 0.1px;">¿Hay otras versiones del curso SVO? ¿Qué otras opciones tengo?</span></b></h3><div><span style="letter-spacing: 0.1px;"></span>El curso SVO tiene cinco partes.</div><ol><li>Introducción a la Orquestación MIDI (dinámica, plantillas, etc.)</li><li>Synthestration, técnicas avanzadas de producción de maquetas</li><li>Mezcla</li><li>Mastering</li><li>La plantilla de Marc</li></ol><p style="
    margin-bottom: 0;
">Estas son las opciones que tienes:</p><ul><li>Versión Lite:<span style="font-weight: normal;"> incluye las partes 1 y 2 - $ 97 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li>Paquete Poderoso<b>: </b>i<span style="font-weight: normal;">ncluye todo: $ 197 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">Basic Version</a></b> -<span style="font-weight: normal;"> mismo contenido que Paquete poderoso + Revisiones de asignación infinita: $ 775</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">PRO Version</a> - igual que los módulos básicos + modulos extras: $ 975</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">EXPERT Version</a> - igual que PRO + Dos sesiones de coaching 1 a 1 con Marc Jovani y otro compositor trabajando activamente en proyectos de Hollywood. - $ 1847</span></li></ul><p>La versión que está obteniendo aquí es la que obtendría con el Paquete Poderoso más dos revisiones de tareas. Esta opción generalmente solo está disponible en fechas de venta especiales por $ 297. Como estudiante, puede obtenerlo aquí por $ 197 ahora.</p><p><span style="letter-spacing: 0.1px;"></span>Esta es una opción obvia para aquellos que desean el contenido, así como los comentarios de un maestro sobre su música.</p><p><span style="letter-spacing: 0.1px;">Obtiene lo mejor del contenido del curso más dos revisiones de tareas por una fracción del precio.</span></p><p></p><div class="flipthis-wrapper"><span style="letter-spacing: 0.1px;" class=""></span><span style="font-weight: normal;">Precio regular del paquete: <span style="letter-spacing: 0.1px;" class=""><span style="
    text-decoration: line-through;
">$597</span></span></span><br><span style="font-weight: normal;">Precio especial en fechas de venta seleccionadas: <span style="letter-spacing: 0.1px;" class=""><span style="letter-spacing: 0.1px; text-decoration-line: line-through;">$294</span><br><span style="
    font-size: larger;
">Oferta exclusiva solo para estudiantes: <b>$197</b></span></span></span></div>


<br><br><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div></div><hr><h3><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Cuál es la diferencia entre Orchestration 1: From Sketch to Orchestra y Symphonic Virtual Orchestration?</span></b></h3><p></p><ul><ul></ul></ul><ul><ul></ul></ul><p></p><p><b>El curso de "Orquestación"</b> (este curso) enseña orquestación tradicional. Cómo escribir para música orquestal. Enseña Orquestación (cómo orquestar para cuerdas, metales, maderas, percusión... voces, equilibrio entre diferentes familias, etc.).</p><p><b>El curso "SVO"</b> enseña la PRODUCCIÓN DE MOCKUP ORQUESTRAL. Cómo usar su secuenciador (Cubase, Logic, Digital Performer) y librerías de muestras (Spitfire, EastWest, etc.) y plugins (Waves, Fabfilter...) para producir maquetas orquestales. Enseña Synthestration (orquestación para librerías de samples), mezcla y masterización. Se trata de la producción de música orquestal.</p><hr><h3 style="color: rgb(0, 0, 0);"><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Qué incluye el curso SVO?</span></b></h3><p></p><ul></ul><ul></ul><p></p><p>Este es el programa de estudios de SVO. (El primer módulo - Synthestration. Tácticas para un buen sonido - se incluyó como contenido adicional en este curso)</p>


<h3><span style="color: inherit;">Synthestration. Tactics For A Good Sound</span><br></h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Difference – Samples &amp; Real Orchestra</li>
<li>&nbsp;Recording Dynamics</li>
<li>&nbsp;Balance</li>
<li>&nbsp;Balance - Bonus Video</li>
<li>&nbsp;Panning</li>
<li>&nbsp;Layers: Distributing your Musical Ideas</li>
<li>&nbsp;Volume: 7, 11, Kontakt, Audio, Gain, etc</li>
<li>&nbsp;Keyswitches</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Using Templates To Boost Productivity</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Routing Concepts</li>
<li>&nbsp;Small &amp; Big Templates. Pros &amp; Cons</li>
<li>&nbsp;Routing. Within Your Sequencer</li>
<li>&nbsp;Minimum set-up</li>
<li>&nbsp;Modular Template (Sonar &amp; Cubase)</li>
<li>&nbsp;Organization: Groups, Kontakt Instances, Buses, Stems</li>
<li>&nbsp;Organization - Bonus Video: Setting up your DAW for film scoring</li>
<li>&nbsp;Reverbs</li>
<li>&nbsp;Computer Specs</li>
<li>&nbsp;Latency Optimizing</li>
<li>&nbsp;Bonus - Sketching Super Patches</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 1: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Ready-to-go Tracks: configured and pre-routed</li>
<li>&nbsp;Getting a Tight &amp; Powerful Orchestral Sound</li>
<li>&nbsp;Orchestrating Percussion Beds</li>
<li>&nbsp;Sequencing a Percussion Bed</li>
<li>&nbsp;Ensemble Patches: benefits and when to use them</li>
<li>&nbsp;Sequencing Long Strings</li>
<li>&nbsp;Sequencing Trumpets</li>
<li>&nbsp;Horn Patches: for an epic cinematic sound</li>
<li>&nbsp;Tremolo Strings</li>
<li>&nbsp;Low Staccato Strings: for an epic cinematic sound</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 2: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Strings Measured Tremolos/Staccatos</li>
<li>&nbsp;Sequencing Fast Strings - Three Approaches</li>
<li>&nbsp;The Timpani, as a main orchestral percussion instrument</li>
<li>&nbsp;Blending Orchestral and Percussion Parts</li>
<li>&nbsp;Blending Choir and Orchestra</li>
<li>&nbsp;Compressing Velocities. The easy way.</li>
<li>&nbsp;Is importing MIDI from the score editor to sequencer a good idea?</li>
<li>&nbsp;Sketching in your Sequencer</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (1). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mixing with Stems</li>
<li>&nbsp;Analog Saturation</li>
<li>&nbsp;Reverb</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Compression</li>
<li>&nbsp;Automation: Where the Magic Happens</li>
<li>&nbsp;Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (2). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Mixing - Overview Sections</li>
<li>&nbsp;Mixing - High Strings</li>
<li>&nbsp;Mixing - Low Strings</li>
<li>&nbsp;Mixing - Strings Automation</li>
<li>&nbsp;Mixing - Horns</li>
<li>&nbsp;Mixing - Trumpets</li>
<li>&nbsp;Mixing - Choirs</li>
<li>&nbsp;Mixing - Brass Ensemble</li>
<li>&nbsp;Mixing - Flute</li>
<li>&nbsp;Mixing - Electric Bass</li>
<li>&nbsp;Mixing - High Percussion</li>
<li>&nbsp;Mixing - Mid &amp; Low Percussion</li>
<li>&nbsp;Mixing - Piano</li>
<li>&nbsp;Mixing - Celesta</li>
<li>&nbsp;Mixing - Harp</li>
<li>&nbsp;Mixing - Connecting Reverb</li>
<li>&nbsp;Mixed Track</li>
<li>&nbsp;Assignment</li>
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<h3>Mixing (3). Expanding Mixing Depth</h3>
<ul>
<li>&nbsp;Expanding Mixing Depth</li>
<li>&nbsp;Expanding Mixing Depth - Reverbs</li>
<li>&nbsp;Expanding Mixing Depth - Delays</li>
<li>&nbsp;Expanding Mixing Depth - FX</li>
<li>&nbsp;Expanding Mixing Depth - MaxxBass</li>
<li>&nbsp;Learning from the pros</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mastering</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mastering - Overview</li>
<li>&nbsp;Mastering - EQ</li>
<li>&nbsp;Mastering - Analog Saturation</li>
<li>&nbsp;Mastering - Dynamics</li>
<li>&nbsp;Mastering - Exciter</li>
<li>&nbsp;Mastering - Imager</li>
<li>&nbsp;Mastering - Maximizer</li>
<li>&nbsp;Mastering - Automation</li>
<li>&nbsp;Mastered Track</li>
<li>&nbsp;Bonus Video - Mastering with standard (non UAD) plugins</li>
<li>&nbsp;Assignment</li>
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<h3>Composing Workflow: Efficiency</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Composing</li>
<li>&nbsp;Mixing</li>
<li>&nbsp;Assignment</li>
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<h3>Bonus #1: Class A Composers' Systems, Explained</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Tom Holkenborg</li>
<li>&nbsp;Harry Gregson-Williams</li>
<li>&nbsp;John Powell</li>
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<h3>Bonus #2: Case Studios, Behind The Scenes (PRO Version)</h3>
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<li>&nbsp;Thriller/Spy/Comedy</li>
<li>&nbsp;Romantic Love Ballade - Part 1</li>
<li>&nbsp;Romantic Love Ballade - Part 2</li>
<li>&nbsp;Grand Orchestral Trailer - Intro</li>
<li>&nbsp;Grand Orchestral Trailer - Composing</li>
<li>&nbsp;Grand Orchestral Trailer - Mixing</li>
<li>&nbsp;Grand Orchestral Trailer - Mastering</li>
<li>&nbsp;Action/Adventure - Synthestration</li>
<li>&nbsp;Action/Adventure - Mixing 1</li>
<li>&nbsp;Action/Adventure Mixing 2</li>
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<h3>Bonus #3: Studio Ergonomics (PRO Version)</h3>
<ul>
<li>&nbsp;Basic Desk Schematics</li>
<li>&nbsp;Composer Desk Under $70</li>
<li>&nbsp;Minimal Gear and How to Distribute It in Your Desk</li>
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<h3>Bonus #4: Sample Libraries List (EXPERT Version)</h3>
<ul>
<li>&nbsp;Marc Jovani's Template</li>
</ul>
<h3>Bonus #5: 1h Coaching Call With Marc (EXPERT Version)</h3>
<h3>Bonus #6: 1h Coaching Call With An Active Composer Working In The Hollywood Industry (EXPERT Version)</h3>
<p><br></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div>NOTA: Este es un descuento especial solo para estudiantes. Esta versión incluye lo mejor del contenido del curso (Paquete poderoso + Plantilla de Marc) más dos revisiones de tareas por una fracción del precio.</div><div><br></div></div>',
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</h4>

<hr>

<p>
The basic orchestration concepts are always the same, whether you grab an orchestration book or take private lessons.
</p><p>

The key difference is in <b>the way those concepts are presented</b>.
</p><p>

There’s a lot that you can read from various sources, but you’ll turbocharge your learning by focusing on the most important concepts and techniques that will <b>greatly improve your orchestration skills</b>.</p>

<hr>
<br>
<h3 style="line-height: 140%; text-align: center; color:#427cc2;">UNDERSTAND HOW TO <b>BALANCE ORCHESTRAL FAMILIES</b> AND HOW TO<br><b>ARRANGE FOR FULL ORCHESTRA</b></h3>
<br>
<br>
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<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p><p>[header=What is inside the Course]<br></p>

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<p></p><p><br></p><p>[header=Weekly live video-chats] 

</p><p></p><div class="row">



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<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
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<p><br></p><p>[header=Have you ever had this feeling of not managing to pick the right instruments to bring your musical idea to life?][featured]</p>

<p></p><p><br></p><p>[header=This is what you're about to learn in this course]</p>

You’ll become an expert at the <b>fundamentals of orchestration</b>, and will learn why it is so important to master the basics before going for more challenging orchestral textures.
<p></p><p>

You’ll discover the importance of a good <b>arrangement to attain balance</b>. You’ll learn how this is going to be much more effective than just using dynamics and how this will almost guarantee the best results no matter the orchestra size.
</p><p>

You’ll discover the go-to <b>voicings </b>and arranging techniques to use for each section when you want to achieve certain effects, such as how to write for brass when you want an epic sound, what range of the flute sounds darker for a sadder tone, how to blend strings and woodwinds to add certain colorations, and how to get more definition for low cello and bass lines.
</p><p>

You’ll discover the importance of <b>doubling </b>and <b>combining instruments</b> and section. You’ll understand how that can sometimes increase the weight of a musical idea or other times will create a new timbre. Most importantly, you’ll learn what instruments NOT to put together depending on what purpose you’re after.
</p><p>

You’ll discover the <b>three basic elements</b> for <b>creating separation</b> so that your music sounds clear. If you are orchestration your orchestral mockup, and using sample libraries to produce your orchestral music, using this three basic elements is going to be of major help for gaining clarity and separation and it going to be the mixing part much easier.</p><p>





</p><p>PLUS&nbsp;</p><p><b>Miguel'scomments and feedback on your exercises and assignments&nbsp;</b></p><p><b>Weekly live video-chats&nbsp;</b></p><p><b>Access to the private group</b></p><p><br></p>





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<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
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<p></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><br></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><span style="letter-spacing: 0.1px;"><br></span><br></p><p></p><p></p><p><br></p><p>
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</h4>

<hr>

<p>
The basic orchestration concepts are always the same, whether you grab an orchestration book or take private lessons.
</p><p>

The key difference is in <b>the way those concepts are presented</b>.
</p><p>

There’s a lot that you can read from various sources, but you’ll turbocharge your learning by focusing on the most important concepts and techniques that will <b>greatly improve your orchestration skills</b>.</p>

<hr>
<br>
<h3 style="line-height: 140%; text-align: center; color:#427cc2;">UNDERSTAND HOW TO <b>BALANCE ORCHESTRAL FAMILIES</b> AND HOW TO<br><b>ARRANGE FOR FULL ORCHESTRA</b></h3>
<br>
<br>
',
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	'featured_text' => '<h3 style="text-align: center;     line-height: 140%;">In order to get a <b>rich</b> and <b>full orchestral sound</b> out of our musical ideas, we need to have a <b>solid understanding of the basics:</b></h3><p>

</p><p><span style="letter-spacing: 0.1px;"><b><br></b></span></p><p><span style="letter-spacing: 0.1px;"><b>#1</b>– The <b>distinct features</b> of <b>each instrument</b></span><br></p><ul><li>What are their <b>best ranges</b>?</li><li>Do they stand out and cut through the orchestral mix or do they blend?</li><li>How does the timbre change depending on the range?</li></ul><p><span style="letter-spacing: 0.1px;"><b>#2</b> – Timbre management</span><br></p><ul><li><span style="letter-spacing: 0.1px;">How to <b>combine </b>instruments to create new <b>colors</b></span><br></li><li>When to and when not to use specific blends</li><li>When adding an instrument actually subtracts and lessens the sound</li></ul><p><b>#3</b> – How to <b>voice each section</b></p><p><span style="letter-spacing: 0.1px;"><b>#4</b> – How to use orchestral techniques to achieve <b>separation </b>and a good <b>distribution of the different musical lines</b></span><br></p><p><span style="letter-spacing: 0.1px;"><b>#5</b> – Understand the weight of each section to achieve <b>orchestral balance</b></span><br></p>',
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[header=Understand the basics of each instrument<br> and the role it plays in the orchestra*CONFIDENTLY WRITE FOR FULL ORCHESTRA]

[description]

[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p><p>[header=What is inside the Course]<br></p>

[img=uploads/topics/macbook-mockup2-1-5a8d01d615dec.png]





[modules]
<p></p><p><br></p><p>[header=Weekly live video-chats] 

</p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
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</div>

<p><br></p><p>[header=Have you ever had this feeling of not managing to pick the right instruments to bring your musical idea to life?][featured]</p>

<p></p><p><br></p><p>[header=This is what you're about to learn in this course]</p>

You’ll become an expert at the <b>fundamentals of orchestration</b>, and will learn why it is so important to master the basics before going for more challenging orchestral textures.
<p></p><p>

You’ll discover the importance of a good <b>arrangement to attain balance</b>. You’ll learn how this is going to be much more effective than just using dynamics and how this will almost guarantee the best results no matter the orchestra size.
</p><p>

You’ll discover the go-to <b>voicings </b>and arranging techniques to use for each section when you want to achieve certain effects, such as how to write for brass when you want an epic sound, what range of the flute sounds darker for a sadder tone, how to blend strings and woodwinds to add certain colorations, and how to get more definition for low cello and bass lines.
</p><p>

You’ll discover the importance of <b>doubling </b>and <b>combining instruments</b> and section. You’ll understand how that can sometimes increase the weight of a musical idea or other times will create a new timbre. Most importantly, you’ll learn what instruments NOT to put together depending on what purpose you’re after.
</p><p>

You’ll discover the <b>three basic elements</b> for <b>creating separation</b> so that your music sounds clear. If you are orchestration your orchestral mockup, and using sample libraries to produce your orchestral music, using this three basic elements is going to be of major help for gaining clarity and separation and it going to be the mixing part much easier.</p><p>





</p><p>PLUS&nbsp;</p><p><b>Miguel'scomments and feedback on your exercises and assignments&nbsp;</b></p><p><b>Weekly live video-chats&nbsp;</b></p><p><b>Access to the private group</b></p><p><br></p>





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<div class="col-md-7 mt-3">
[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
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<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><br></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span><span style="letter-spacing: 0.1px;"><br></span><br></p><p></p><p></p><p><br></p><p>
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	'content' => '<p>¡Espero que hayan disfrutado el primer módulo del curso SVO que hemos incluido aquí como contenido adicional para el curso "Orquestación 1: del bosquejo a la orquesta"!</p><p>Lo que me encanta de este módulo es que enseña los fundamentos.<br></p>
<p><strong>¡Los fundamentos lo son todo!</strong></p>
<p>Si dominas los fundamentos, eso <b>es todo lo que necesitas.</b></p>
<p><b>Practíquelos </b>una y otra vez <b>cada vez que esté componiendo.</b></p>
<p>Haga pequeñas variaciones en el concepto original y use su oído analítico para distinguir lo que funciona mejor. ¡Mejorarás tus habilidades de producción y, con el tiempo, te convertirás en un experto!</p>
<p>Esto es lo que te recomiendo que hagas a continuación:</p>
<p>AA medida que comiences a aplicar nuevos fundamentos, te traerán nuevos desafíos:</p>
<ul>
<li><span style="font-weight: normal;">"¿Por qué mis patches&nbsp; de metales suenan falsos?"</span></li>
<li><span style="font-weight: normal;">"¿Debo usar keyswitches o pistas separadas para cada articulación?"</span></li>
<li><span style="font-weight: normal;">“¡Hay tantos patches! No sé cuál es el patche adecuado para tal y tal "</span></li>
<li><span style="font-weight: normal;">"¿Cómo creo una plantilla de orquesta?"</span></li>
<li><span style="font-weight: normal;">"¿Cómo equilibro las diferentes secciones?"</span></li>
<li><span style="font-weight: normal;">"Compré esta costosa librería de cuerdas, pero no puedo lograr ese sonido rico, cálido y cinematográfico para un acompañamiento de fondo lento"</span></li>
<li><span style="font-weight: normal;">"Mis cuerdas staccato no suenan como Hans Zimmer. ¿Por qué?"</span></li>
<li><span style="font-weight: normal;">"Mi mezcla no suena impactante"</span></li>
<li><span style="font-weight: normal;">"¿Por qué suena tan turbio en el extremo medio bajo?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"¿Cómo creo profundidad orquestal?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"Me estoy quedando sin RAM, ¿qué hago?" o "Tengo mucha latencia"</span></li>
</ul>
<p>No te estreses! Es normal. <b>Todos hemos pasado por los mismos problemas al principio.</b></p>
<p>No intentes resolver todos los problemas a la vez. Concéntrese en uno y descubra el camino. Luego, pasa al siguiente.</p>
<p>Así es como construimos el curso SVO.</p>
<p>Creé el primer módulo (los fundamentos) y se lo di gratis a algunos amigos y antiguos alumnos.</p>
<p>Experimentaron con él y me hicieron saber con qué lucharon. Luego creamos el contenido para responderlo. Y hemos estado incluyendo nuevas soluciones a nuevas luchas desde entonces.</p>
<p>Hn suerte, esto lleva años de experiencia y los comprime en unas pocas semanas. Transforma horas de experimentación en <b>consejos y trucos</b> de <b>"así es como funciona"</b> y <b>"así es como se hace".</b></p>
<p>Esto es lo que quieres hacer con tu propio aprendizaje. Descubre lo que está mal. Encuentra la solución. Encuentra los consejos y trucos que funcionan para ti.</p>
<p>Y recuerda que eres parte de una increíble comunidad de compositores. ¡Hay tantos compositores en el grupo ansiosos por ayudar! Participa y haz preguntas.</p>
<p>¡Aproveche los conocimientos de otros para ahorrarle tiempo! ¡Esto lo cambia todo!</p><hr><p>Debido a que ya es un estudiante de composición cinematográfica, si desea obtener el<b> resto del Symphonic Virtual Orchestration course</b>, hemos creado un <b>paquete exclusivo</b>, solo para estudiantes de " Orchestration 1: From Sketch to Orchestra”.<span style="letter-spacing: 0.1px;"></span></p><p><span style="letter-spacing: 0.1px;"></span>El precio de la versión básica del curso SVO es de $ 775. Pero sacamos algunos bonus e incluimos dos revisiones de tareas (en lugar de infinitas), y pudimos&nbsp; bajar el precio.</p><p><span style="letter-spacing: 0.1px;">Este paquete se vende a $ 597 en nuestro sitio. Lo hemos ofrecido a $ 294 en fechas de gran venta, como Black Friday y otros.</span></p><p><span style="letter-spacing: 0.1px;"><b>Como estudiante de orquestación, puede obtener el curso SVO por $ 197 aquí.</b></span></p><p><span style="letter-spacing: 0.1px;"></span>Esto incluye lo mejor del contenido del curso MÁS dos revisiones de tareas.</p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div><span style="letter-spacing: 0.1px;">&nbsp;</span><span style="letter-spacing: 0.1px;"></span>NOTA: Este es un descuento especial solo para estudiantes. Por favor, no compartas el enlace. ¡Gracias!</div></div><hr><h3><b><span style="letter-spacing: 0.1px;">¿Hay otras versiones del curso SVO? ¿Qué otras opciones tengo?</span></b></h3><div><span style="letter-spacing: 0.1px;"></span>El curso SVO tiene cinco partes.</div><ol><li>Introducción a la Orquestación MIDI (dinámica, plantillas, etc.)</li><li>Synthestration, técnicas avanzadas de producción de maquetas</li><li>Mezcla</li><li>Mastering</li><li>La plantilla de Marc</li></ol><p style="
    margin-bottom: 0;
">Estas son las opciones que tienes:</p><ul><li>Versión Lite:<span style="font-weight: normal;"> incluye las partes 1 y 2 - $ 97 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li>Paquete Poderoso<b>: </b>i<span style="font-weight: normal;">ncluye todo: $ 197 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">Basic Version</a></b> -<span style="font-weight: normal;"> mismo contenido que Paquete poderoso + Revisiones de asignación infinita: $ 775</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">PRO Version</a> - igual que los módulos básicos + modulos extras: $ 975</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">EXPERT Version</a> - igual que PRO + Dos sesiones de coaching 1 a 1 con Marc Jovani y otro compositor trabajando activamente en proyectos de Hollywood. - $ 1847</span></li></ul><p>La versión que está obteniendo aquí es la que obtendría con el Paquete Poderoso más dos revisiones de tareas. Esta opción generalmente solo está disponible en fechas de venta especiales por $ 297. Como estudiante, puede obtenerlo aquí por $ 197 ahora.</p><p><span style="letter-spacing: 0.1px;"></span>Esta es una opción obvia para aquellos que desean el contenido, así como los comentarios de un maestro sobre su música.</p><p><span style="letter-spacing: 0.1px;">Obtiene lo mejor del contenido del curso más dos revisiones de tareas por una fracción del precio.</span></p><p></p><div class="flipthis-wrapper"><span style="letter-spacing: 0.1px;" class=""></span><span style="font-weight: normal;">Precio regular del paquete: <span style="letter-spacing: 0.1px;" class=""><span style="
    text-decoration: line-through;
">$597</span></span></span><br><span style="font-weight: normal;">Precio especial en fechas de venta seleccionadas: <span style="letter-spacing: 0.1px;" class=""><span style="letter-spacing: 0.1px; text-decoration-line: line-through;">$294</span><br><span style="
    font-size: larger;
">Oferta exclusiva solo para estudiantes: <b>$197</b></span></span></span></div>


<br><br><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div></div><hr><h3><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Cuál es la diferencia entre Orchestration 1: From Sketch to Orchestra y Symphonic Virtual Orchestration?</span></b></h3><p></p><ul><ul></ul></ul><ul><ul></ul></ul><p></p><p><b>El curso de "Orquestación"</b> (este curso) enseña orquestación tradicional. Cómo escribir para música orquestal. Enseña Orquestación (cómo orquestar para cuerdas, metales, maderas, percusión... voces, equilibrio entre diferentes familias, etc.).</p><p><b>El curso "SVO"</b> enseña la PRODUCCIÓN DE MOCKUP ORQUESTRAL. Cómo usar su secuenciador (Cubase, Logic, Digital Performer) y librerías de muestras (Spitfire, EastWest, etc.) y plugins (Waves, Fabfilter...) para producir maquetas orquestales. Enseña Synthestration (orquestación para librerías de samples), mezcla y masterización. Se trata de la producción de música orquestal.</p><hr><h3 style="color: rgb(0, 0, 0);"><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Qué incluye el curso SVO?</span></b></h3><p></p><ul></ul><ul></ul><p></p><p>Este es el programa de estudios de SVO. (El primer módulo - Synthestration. Tácticas para un buen sonido - se incluyó como contenido adicional en este curso)</p>


<h3><span style="color: inherit;">Synthestration. Tactics For A Good Sound</span><br></h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Difference – Samples &amp; Real Orchestra</li>
<li>&nbsp;Recording Dynamics</li>
<li>&nbsp;Balance</li>
<li>&nbsp;Balance - Bonus Video</li>
<li>&nbsp;Panning</li>
<li>&nbsp;Layers: Distributing your Musical Ideas</li>
<li>&nbsp;Volume: 7, 11, Kontakt, Audio, Gain, etc</li>
<li>&nbsp;Keyswitches</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Using Templates To Boost Productivity</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Routing Concepts</li>
<li>&nbsp;Small &amp; Big Templates. Pros &amp; Cons</li>
<li>&nbsp;Routing. Within Your Sequencer</li>
<li>&nbsp;Minimum set-up</li>
<li>&nbsp;Modular Template (Sonar &amp; Cubase)</li>
<li>&nbsp;Organization: Groups, Kontakt Instances, Buses, Stems</li>
<li>&nbsp;Organization - Bonus Video: Setting up your DAW for film scoring</li>
<li>&nbsp;Reverbs</li>
<li>&nbsp;Computer Specs</li>
<li>&nbsp;Latency Optimizing</li>
<li>&nbsp;Bonus - Sketching Super Patches</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 1: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Ready-to-go Tracks: configured and pre-routed</li>
<li>&nbsp;Getting a Tight &amp; Powerful Orchestral Sound</li>
<li>&nbsp;Orchestrating Percussion Beds</li>
<li>&nbsp;Sequencing a Percussion Bed</li>
<li>&nbsp;Ensemble Patches: benefits and when to use them</li>
<li>&nbsp;Sequencing Long Strings</li>
<li>&nbsp;Sequencing Trumpets</li>
<li>&nbsp;Horn Patches: for an epic cinematic sound</li>
<li>&nbsp;Tremolo Strings</li>
<li>&nbsp;Low Staccato Strings: for an epic cinematic sound</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 2: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Strings Measured Tremolos/Staccatos</li>
<li>&nbsp;Sequencing Fast Strings - Three Approaches</li>
<li>&nbsp;The Timpani, as a main orchestral percussion instrument</li>
<li>&nbsp;Blending Orchestral and Percussion Parts</li>
<li>&nbsp;Blending Choir and Orchestra</li>
<li>&nbsp;Compressing Velocities. The easy way.</li>
<li>&nbsp;Is importing MIDI from the score editor to sequencer a good idea?</li>
<li>&nbsp;Sketching in your Sequencer</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (1). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mixing with Stems</li>
<li>&nbsp;Analog Saturation</li>
<li>&nbsp;Reverb</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Compression</li>
<li>&nbsp;Automation: Where the Magic Happens</li>
<li>&nbsp;Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (2). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Mixing - Overview Sections</li>
<li>&nbsp;Mixing - High Strings</li>
<li>&nbsp;Mixing - Low Strings</li>
<li>&nbsp;Mixing - Strings Automation</li>
<li>&nbsp;Mixing - Horns</li>
<li>&nbsp;Mixing - Trumpets</li>
<li>&nbsp;Mixing - Choirs</li>
<li>&nbsp;Mixing - Brass Ensemble</li>
<li>&nbsp;Mixing - Flute</li>
<li>&nbsp;Mixing - Electric Bass</li>
<li>&nbsp;Mixing - High Percussion</li>
<li>&nbsp;Mixing - Mid &amp; Low Percussion</li>
<li>&nbsp;Mixing - Piano</li>
<li>&nbsp;Mixing - Celesta</li>
<li>&nbsp;Mixing - Harp</li>
<li>&nbsp;Mixing - Connecting Reverb</li>
<li>&nbsp;Mixed Track</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (3). Expanding Mixing Depth</h3>
<ul>
<li>&nbsp;Expanding Mixing Depth</li>
<li>&nbsp;Expanding Mixing Depth - Reverbs</li>
<li>&nbsp;Expanding Mixing Depth - Delays</li>
<li>&nbsp;Expanding Mixing Depth - FX</li>
<li>&nbsp;Expanding Mixing Depth - MaxxBass</li>
<li>&nbsp;Learning from the pros</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mastering</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mastering - Overview</li>
<li>&nbsp;Mastering - EQ</li>
<li>&nbsp;Mastering - Analog Saturation</li>
<li>&nbsp;Mastering - Dynamics</li>
<li>&nbsp;Mastering - Exciter</li>
<li>&nbsp;Mastering - Imager</li>
<li>&nbsp;Mastering - Maximizer</li>
<li>&nbsp;Mastering - Automation</li>
<li>&nbsp;Mastered Track</li>
<li>&nbsp;Bonus Video - Mastering with standard (non UAD) plugins</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Composing Workflow: Efficiency</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Composing</li>
<li>&nbsp;Mixing</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Bonus #1: Class A Composers' Systems, Explained</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Tom Holkenborg</li>
<li>&nbsp;Harry Gregson-Williams</li>
<li>&nbsp;John Powell</li>
</ul>
<h3>Bonus #2: Case Studios, Behind The Scenes (PRO Version)</h3>
<ul>
<li>&nbsp;Thriller/Spy/Comedy</li>
<li>&nbsp;Romantic Love Ballade - Part 1</li>
<li>&nbsp;Romantic Love Ballade - Part 2</li>
<li>&nbsp;Grand Orchestral Trailer - Intro</li>
<li>&nbsp;Grand Orchestral Trailer - Composing</li>
<li>&nbsp;Grand Orchestral Trailer - Mixing</li>
<li>&nbsp;Grand Orchestral Trailer - Mastering</li>
<li>&nbsp;Action/Adventure - Synthestration</li>
<li>&nbsp;Action/Adventure - Mixing 1</li>
<li>&nbsp;Action/Adventure Mixing 2</li>
</ul>
<h3>Bonus #3: Studio Ergonomics (PRO Version)</h3>
<ul>
<li>&nbsp;Basic Desk Schematics</li>
<li>&nbsp;Composer Desk Under $70</li>
<li>&nbsp;Minimal Gear and How to Distribute It in Your Desk</li>
</ul>
<h3>Bonus #4: Sample Libraries List (EXPERT Version)</h3>
<ul>
<li>&nbsp;Marc Jovani's Template</li>
</ul>
<h3>Bonus #5: 1h Coaching Call With Marc (EXPERT Version)</h3>
<h3>Bonus #6: 1h Coaching Call With An Active Composer Working In The Hollywood Industry (EXPERT Version)</h3>
<p><br></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div>NOTA: Este es un descuento especial solo para estudiantes. Esta versión incluye lo mejor del contenido del curso (Paquete poderoso + Plantilla de Marc) más dos revisiones de tareas por una fracción del precio.</div><div><br></div></div>',
	'es_version' => '<p>¡Espero que hayan disfrutado el primer módulo del curso SVO que hemos incluido aquí como contenido adicional para el curso "Orquestación 1: del bosquejo a la orquesta"!</p><p>Lo que me encanta de este módulo es que enseña los fundamentos.<br></p>
<p><strong>¡Los fundamentos lo son todo!</strong></p>
<p>Si dominas los fundamentos, eso <b>es todo lo que necesitas.</b></p>
<p><b>Practíquelos </b>una y otra vez <b>cada vez que esté componiendo.</b></p>
<p>Haga pequeñas variaciones en el concepto original y use su oído analítico para distinguir lo que funciona mejor. ¡Mejorarás tus habilidades de producción y, con el tiempo, te convertirás en un experto!</p>
<p>Esto es lo que te recomiendo que hagas a continuación:</p>
<p>AA medida que comiences a aplicar nuevos fundamentos, te traerán nuevos desafíos:</p>
<ul>
<li><span style="font-weight: normal;">"¿Por qué mis patches&nbsp; de metales suenan falsos?"</span></li>
<li><span style="font-weight: normal;">"¿Debo usar keyswitches o pistas separadas para cada articulación?"</span></li>
<li><span style="font-weight: normal;">“¡Hay tantos patches! No sé cuál es el patche adecuado para tal y tal "</span></li>
<li><span style="font-weight: normal;">"¿Cómo creo una plantilla de orquesta?"</span></li>
<li><span style="font-weight: normal;">"¿Cómo equilibro las diferentes secciones?"</span></li>
<li><span style="font-weight: normal;">"Compré esta costosa librería de cuerdas, pero no puedo lograr ese sonido rico, cálido y cinematográfico para un acompañamiento de fondo lento"</span></li>
<li><span style="font-weight: normal;">"Mis cuerdas staccato no suenan como Hans Zimmer. ¿Por qué?"</span></li>
<li><span style="font-weight: normal;">"Mi mezcla no suena impactante"</span></li>
<li><span style="font-weight: normal;">"¿Por qué suena tan turbio en el extremo medio bajo?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"¿Cómo creo profundidad orquestal?"</span></li>
<li><span style="font-weight: normal;">&nbsp;"Me estoy quedando sin RAM, ¿qué hago?" o "Tengo mucha latencia"</span></li>
</ul>
<p>No te estreses! Es normal. <b>Todos hemos pasado por los mismos problemas al principio.</b></p>
<p>No intentes resolver todos los problemas a la vez. Concéntrese en uno y descubra el camino. Luego, pasa al siguiente.</p>
<p>Así es como construimos el curso SVO.</p>
<p>Creé el primer módulo (los fundamentos) y se lo di gratis a algunos amigos y antiguos alumnos.</p>
<p>Experimentaron con él y me hicieron saber con qué lucharon. Luego creamos el contenido para responderlo. Y hemos estado incluyendo nuevas soluciones a nuevas luchas desde entonces.</p>
<p>Hn suerte, esto lleva años de experiencia y los comprime en unas pocas semanas. Transforma horas de experimentación en <b>consejos y trucos</b> de <b>"así es como funciona"</b> y <b>"así es como se hace".</b></p>
<p>Esto es lo que quieres hacer con tu propio aprendizaje. Descubre lo que está mal. Encuentra la solución. Encuentra los consejos y trucos que funcionan para ti.</p>
<p>Y recuerda que eres parte de una increíble comunidad de compositores. ¡Hay tantos compositores en el grupo ansiosos por ayudar! Participa y haz preguntas.</p>
<p>¡Aproveche los conocimientos de otros para ahorrarle tiempo! ¡Esto lo cambia todo!</p><hr><p>Debido a que ya es un estudiante de composición cinematográfica, si desea obtener el<b> resto del Symphonic Virtual Orchestration course</b>, hemos creado un <b>paquete exclusivo</b>, solo para estudiantes de " Orchestration 1: From Sketch to Orchestra”.<span style="letter-spacing: 0.1px;"></span></p><p><span style="letter-spacing: 0.1px;"></span>El precio de la versión básica del curso SVO es de $ 775. Pero sacamos algunos bonus e incluimos dos revisiones de tareas (en lugar de infinitas), y pudimos&nbsp; bajar el precio.</p><p><span style="letter-spacing: 0.1px;">Este paquete se vende a $ 597 en nuestro sitio. Lo hemos ofrecido a $ 294 en fechas de gran venta, como Black Friday y otros.</span></p><p><span style="letter-spacing: 0.1px;"><b>Como estudiante de orquestación, puede obtener el curso SVO por $ 197 aquí.</b></span></p><p><span style="letter-spacing: 0.1px;"></span>Esto incluye lo mejor del contenido del curso MÁS dos revisiones de tareas.</p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div><span style="letter-spacing: 0.1px;">&nbsp;</span><span style="letter-spacing: 0.1px;"></span>NOTA: Este es un descuento especial solo para estudiantes. Por favor, no compartas el enlace. ¡Gracias!</div></div><hr><h3><b><span style="letter-spacing: 0.1px;">¿Hay otras versiones del curso SVO? ¿Qué otras opciones tengo?</span></b></h3><div><span style="letter-spacing: 0.1px;"></span>El curso SVO tiene cinco partes.</div><ol><li>Introducción a la Orquestación MIDI (dinámica, plantillas, etc.)</li><li>Synthestration, técnicas avanzadas de producción de maquetas</li><li>Mezcla</li><li>Mastering</li><li>La plantilla de Marc</li></ol><p style="
    margin-bottom: 0;
">Estas son las opciones que tienes:</p><ul><li>Versión Lite:<span style="font-weight: normal;"> incluye las partes 1 y 2 - $ 97 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li>Paquete Poderoso<b>: </b>i<span style="font-weight: normal;">ncluye todo: $ 197 (oferta solo disponible en fechas de venta especiales por un corto período de tiempo)</span></li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">Basic Version</a></b> -<span style="font-weight: normal;"> mismo contenido que Paquete poderoso + Revisiones de asignación infinita: $ 775</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">PRO Version</a> - igual que los módulos básicos + modulos extras: $ 975</span></li><li><span style="font-weight: normal;"><a href="/courses/symphonic-virtual-orchestration" target="_blank">EXPERT Version</a> - igual que PRO + Dos sesiones de coaching 1 a 1 con Marc Jovani y otro compositor trabajando activamente en proyectos de Hollywood. - $ 1847</span></li></ul><p>La versión que está obteniendo aquí es la que obtendría con el Paquete Poderoso más dos revisiones de tareas. Esta opción generalmente solo está disponible en fechas de venta especiales por $ 297. Como estudiante, puede obtenerlo aquí por $ 197 ahora.</p><p><span style="letter-spacing: 0.1px;"></span>Esta es una opción obvia para aquellos que desean el contenido, así como los comentarios de un maestro sobre su música.</p><p><span style="letter-spacing: 0.1px;">Obtiene lo mejor del contenido del curso más dos revisiones de tareas por una fracción del precio.</span></p><p></p><div class="flipthis-wrapper"><span style="letter-spacing: 0.1px;" class=""></span><span style="font-weight: normal;">Precio regular del paquete: <span style="letter-spacing: 0.1px;" class=""><span style="
    text-decoration: line-through;
">$597</span></span></span><br><span style="font-weight: normal;">Precio especial en fechas de venta seleccionadas: <span style="letter-spacing: 0.1px;" class=""><span style="letter-spacing: 0.1px; text-decoration-line: line-through;">$294</span><br><span style="
    font-size: larger;
">Oferta exclusiva solo para estudiantes: <b>$197</b></span></span></span></div>


<br><br><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div></div><hr><h3><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Cuál es la diferencia entre Orchestration 1: From Sketch to Orchestra y Symphonic Virtual Orchestration?</span></b></h3><p></p><ul><ul></ul></ul><ul><ul></ul></ul><p></p><p><b>El curso de "Orquestación"</b> (este curso) enseña orquestación tradicional. Cómo escribir para música orquestal. Enseña Orquestación (cómo orquestar para cuerdas, metales, maderas, percusión... voces, equilibrio entre diferentes familias, etc.).</p><p><b>El curso "SVO"</b> enseña la PRODUCCIÓN DE MOCKUP ORQUESTRAL. Cómo usar su secuenciador (Cubase, Logic, Digital Performer) y librerías de muestras (Spitfire, EastWest, etc.) y plugins (Waves, Fabfilter...) para producir maquetas orquestales. Enseña Synthestration (orquestación para librerías de samples), mezcla y masterización. Se trata de la producción de música orquestal.</p><hr><h3 style="color: rgb(0, 0, 0);"><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">¿Qué incluye el curso SVO?</span></b></h3><p></p><ul></ul><ul></ul><p></p><p>Este es el programa de estudios de SVO. (El primer módulo - Synthestration. Tácticas para un buen sonido - se incluyó como contenido adicional en este curso)</p>


<h3><span style="color: inherit;">Synthestration. Tactics For A Good Sound</span><br></h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Difference – Samples &amp; Real Orchestra</li>
<li>&nbsp;Recording Dynamics</li>
<li>&nbsp;Balance</li>
<li>&nbsp;Balance - Bonus Video</li>
<li>&nbsp;Panning</li>
<li>&nbsp;Layers: Distributing your Musical Ideas</li>
<li>&nbsp;Volume: 7, 11, Kontakt, Audio, Gain, etc</li>
<li>&nbsp;Keyswitches</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Using Templates To Boost Productivity</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Routing Concepts</li>
<li>&nbsp;Small &amp; Big Templates. Pros &amp; Cons</li>
<li>&nbsp;Routing. Within Your Sequencer</li>
<li>&nbsp;Minimum set-up</li>
<li>&nbsp;Modular Template (Sonar &amp; Cubase)</li>
<li>&nbsp;Organization: Groups, Kontakt Instances, Buses, Stems</li>
<li>&nbsp;Organization - Bonus Video: Setting up your DAW for film scoring</li>
<li>&nbsp;Reverbs</li>
<li>&nbsp;Computer Specs</li>
<li>&nbsp;Latency Optimizing</li>
<li>&nbsp;Bonus - Sketching Super Patches</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 1: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Ready-to-go Tracks: configured and pre-routed</li>
<li>&nbsp;Getting a Tight &amp; Powerful Orchestral Sound</li>
<li>&nbsp;Orchestrating Percussion Beds</li>
<li>&nbsp;Sequencing a Percussion Bed</li>
<li>&nbsp;Ensemble Patches: benefits and when to use them</li>
<li>&nbsp;Sequencing Long Strings</li>
<li>&nbsp;Sequencing Trumpets</li>
<li>&nbsp;Horn Patches: for an epic cinematic sound</li>
<li>&nbsp;Tremolo Strings</li>
<li>&nbsp;Low Staccato Strings: for an epic cinematic sound</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 2: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Strings Measured Tremolos/Staccatos</li>
<li>&nbsp;Sequencing Fast Strings - Three Approaches</li>
<li>&nbsp;The Timpani, as a main orchestral percussion instrument</li>
<li>&nbsp;Blending Orchestral and Percussion Parts</li>
<li>&nbsp;Blending Choir and Orchestra</li>
<li>&nbsp;Compressing Velocities. The easy way.</li>
<li>&nbsp;Is importing MIDI from the score editor to sequencer a good idea?</li>
<li>&nbsp;Sketching in your Sequencer</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (1). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mixing with Stems</li>
<li>&nbsp;Analog Saturation</li>
<li>&nbsp;Reverb</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Compression</li>
<li>&nbsp;Automation: Where the Magic Happens</li>
<li>&nbsp;Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (2). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Mixing - Overview Sections</li>
<li>&nbsp;Mixing - High Strings</li>
<li>&nbsp;Mixing - Low Strings</li>
<li>&nbsp;Mixing - Strings Automation</li>
<li>&nbsp;Mixing - Horns</li>
<li>&nbsp;Mixing - Trumpets</li>
<li>&nbsp;Mixing - Choirs</li>
<li>&nbsp;Mixing - Brass Ensemble</li>
<li>&nbsp;Mixing - Flute</li>
<li>&nbsp;Mixing - Electric Bass</li>
<li>&nbsp;Mixing - High Percussion</li>
<li>&nbsp;Mixing - Mid &amp; Low Percussion</li>
<li>&nbsp;Mixing - Piano</li>
<li>&nbsp;Mixing - Celesta</li>
<li>&nbsp;Mixing - Harp</li>
<li>&nbsp;Mixing - Connecting Reverb</li>
<li>&nbsp;Mixed Track</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (3). Expanding Mixing Depth</h3>
<ul>
<li>&nbsp;Expanding Mixing Depth</li>
<li>&nbsp;Expanding Mixing Depth - Reverbs</li>
<li>&nbsp;Expanding Mixing Depth - Delays</li>
<li>&nbsp;Expanding Mixing Depth - FX</li>
<li>&nbsp;Expanding Mixing Depth - MaxxBass</li>
<li>&nbsp;Learning from the pros</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mastering</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mastering - Overview</li>
<li>&nbsp;Mastering - EQ</li>
<li>&nbsp;Mastering - Analog Saturation</li>
<li>&nbsp;Mastering - Dynamics</li>
<li>&nbsp;Mastering - Exciter</li>
<li>&nbsp;Mastering - Imager</li>
<li>&nbsp;Mastering - Maximizer</li>
<li>&nbsp;Mastering - Automation</li>
<li>&nbsp;Mastered Track</li>
<li>&nbsp;Bonus Video - Mastering with standard (non UAD) plugins</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Composing Workflow: Efficiency</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Composing</li>
<li>&nbsp;Mixing</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Bonus #1: Class A Composers' Systems, Explained</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Tom Holkenborg</li>
<li>&nbsp;Harry Gregson-Williams</li>
<li>&nbsp;John Powell</li>
</ul>
<h3>Bonus #2: Case Studios, Behind The Scenes (PRO Version)</h3>
<ul>
<li>&nbsp;Thriller/Spy/Comedy</li>
<li>&nbsp;Romantic Love Ballade - Part 1</li>
<li>&nbsp;Romantic Love Ballade - Part 2</li>
<li>&nbsp;Grand Orchestral Trailer - Intro</li>
<li>&nbsp;Grand Orchestral Trailer - Composing</li>
<li>&nbsp;Grand Orchestral Trailer - Mixing</li>
<li>&nbsp;Grand Orchestral Trailer - Mastering</li>
<li>&nbsp;Action/Adventure - Synthestration</li>
<li>&nbsp;Action/Adventure - Mixing 1</li>
<li>&nbsp;Action/Adventure Mixing 2</li>
</ul>
<h3>Bonus #3: Studio Ergonomics (PRO Version)</h3>
<ul>
<li>&nbsp;Basic Desk Schematics</li>
<li>&nbsp;Composer Desk Under $70</li>
<li>&nbsp;Minimal Gear and How to Distribute It in Your Desk</li>
</ul>
<h3>Bonus #4: Sample Libraries List (EXPERT Version)</h3>
<ul>
<li>&nbsp;Marc Jovani's Template</li>
</ul>
<h3>Bonus #5: 1h Coaching Call With Marc (EXPERT Version)</h3>
<h3>Bonus #6: 1h Coaching Call With An Active Composer Working In The Hollywood Industry (EXPERT Version)</h3>
<p><br></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div>NOTA: Este es un descuento especial solo para estudiantes. Esta versión incluye lo mejor del contenido del curso (Paquete poderoso + Plantilla de Marc) más dos revisiones de tareas por una fracción del precio.</div><div><br></div></div>',
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		'content' => '<p>I hope you enjoyed the first module of the SVO course that we've included here as bonus content to the "Orchestration 1: From Sketch to Orchestra" course!</p><p>What I love about this module is that teaches the fundamentals.</p>
<p><strong>Fundamentals are everything!</strong></p>
<p>If you master the fundamentals <b>that’s all you need</b>.</p>
<p><b>Practice</b> them over and over <b>every time that you're composing</b>.</p>
<p>Make small variations on the original concept and use your analytical ear to distinguish what works best. You’ll improve your production skills and, with time, you’ll become an expert!</p>
<p>Here’s what I recommend you do next:</p>
<p>As you start applying new fundamentals, they’ll bring new challenges:</p>
<ul>
<li>“Why does my brass patches sound fake?”</li>
<li>“Should I use key switches or separated tracks for each articulation?”</li>
<li>“There are so many patches! I don’t know what’s the right patch for such and such”</li>
<li>“How do I create an orchestral template?”</li>
<li>“How do I balance the different sections?”</li>
<li>“I bought this expensive strings library, but I can’t manage to get that rich, warm, cinematic sound for slow pad background accompaniment”</li>
<li>“My staccato strings don’t sound like Hans Zimmer. Why?"</li>
<li>“My mix doesn’t sound punchy”</li>
<li>“Why does it sound so muddy in the mid low end?”</li>
<li>“How do I create orchestral depth?”</li>
<li>“I’m running out of RAM, what do I do?” or “I’m getting lots of latency”</li>
</ul>
<p>Don’t stress out! It’s normal. <strong>We’ve all been through the very same problems at first</strong>.</p>
<p>Don’t try to solve all the problems at once. Focus on one and figure out the way. Then, move to the next one.</p>
<p>This is actually how we built the SVO course.</p>
<p>I created the first module (the fundamentals) and I gave it for free to some friends and past students.</p>
<p>They experimented with it and let me know what they struggled with. Then we created the content to answer it. And we’ve been including new solutions to new struggles since then.</p>
<p>Hopefully, this takes years of experience and compresses them into a few weeks. It transforms hours of experimenting into "<b>this-is-how-it-works</b>" and "this-is-how-it’s-done" <b>tips and tricks</b>.</p>
<p>This is what you wanna do with your own learning. Find out what’s wrong. Find the solution. Find the tips and tricks that work for you.</p>
<p>AND remember that you’re part of an incredible community of composers. There are so many composers in the group eager to help! Participate and ask questions.</p>
<p>Leverage other’s know-how to save you time! This changes everything!</p><hr><p>Because you're already a Cinematic Composing student, i<span style="letter-spacing: 0.1px;">f you'd like to </span><b style="letter-spacing: 0.1px;">get the rest of the Symphonic Virtual Orchestration course</b><span style="letter-spacing: 0.1px;">, we’ve put together an </span><b style="letter-spacing: 0.1px;">exclusive package</b><span style="letter-spacing: 0.1px;"> – just for "Orchestration 1: From Sketch to Orchestra"</span><span style="letter-spacing: 0.1px;">&nbsp;students.</span></p><p><span style="letter-spacing: 0.1px;">The SVO course Basic version's price is $775. But we took out some bonuses and included two assignment revisions (instead of infinite), and we're able to bring the price down.</span></p><p><span style="letter-spacing: 0.1px;">This package sells at $597 on our site. We’ve offered it at $294 on big sale dates – such as Black Friday and others.</span></p><p><span style="letter-spacing: 0.1px;"><b>As an Orchestration student, you can get the SVO course for $197 here</b>.</span></p><p><span style="letter-spacing: 0.1px;">This includes the best of the course contents PLUS two assignment revisions.</span></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div><span style="letter-spacing: 0.1px;">&nbsp;</span><span style="letter-spacing: 0.1px;">NOTE: This is a special discount just for students. Please, don't share the link. Thanks!</span></div></div><hr><h3><b><span style="letter-spacing: 0.1px;">Are there other versions of the SVO course? What other options do I have?</span></b></h3><div><span style="letter-spacing: 0.1px;">The SVO course has five parts.</span></div><ol><li>Introduction to MIDI Orchestration (dynamics, templates, etc)</li><li>Synthestration advanced mockup production techniques</li><li>Mixing</li><li>Mastering</li><li>Marc's Template</li></ol><p style="
    margin-bottom: 0;
">These are the options that you've got:</p><ul><li><b>Lite version</b>&nbsp;- includes parts 1 and 2 - $97 (deal just available in special sale dates for a short period of time)</li><li><b>Power Package</b>&nbsp;- includes everything - $197 (deal just available in special sale dates for a short period of time)</li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">Basic Version</a></b> - Same Content as Power Package + <u>Infinite Assignment Revisions</u> - $775</li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">PRO Version</a></b> - Same as Basic + <u>Bonus Modules</u> - $975</li><li><b><a href="/courses/symphonic-virtual-orchestration" target="_blank">EXPERT Version</a></b> - Same as PRO + <u>Two 1-on-1 Coaching Sessions</u> with Marc Jovani and one other composer actively working in Hollywood projects. - $1847</li></ul><p>The version that you’re getting here is what you’d get with the Power Package PLUS Two Assignment Revisions. This option is usually just available in special sale dates for $297. As a student, you can get it here for $197 now.</p><p><span style="letter-spacing: 0.1px;">This is a no-brainer option for those who want the content as well as feedback from a teacher on their music.</span></p><p><span style="letter-spacing: 0.1px;">You get the best of the course content plus two assignment revisions for a fraction of the price.</span></p><p></p><div class="flipthis-wrapper"><span style="letter-spacing: 0.1px;" class="">Regular price of the package: <span style="
    text-decoration: line-through;
">$597</span><br>Special price in selected sale dates:&nbsp;<span style="letter-spacing: 0.1px; text-decoration-line: line-through;">$294</span><br><span style="
    font-size: larger;
">Exclusive deal just for students: <b>$197</b></span></span></div>


<br><br><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div></div><hr><h3><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">What's the difference between the&nbsp;</span><span style="letter-spacing: 0.1px;"><u>Orchestration 1: From Sketch to Orchestra</u> and the&nbsp;</span><u>Symphonic Virtual Orchestration</u> courses?</b></h3><p></p><ul><ul></ul></ul><ul><ul></ul></ul><p></p><p><b>The “Orchestration" course</b> (this course) teaches traditional orchestration. How to write for orchestral music. It teaches Orchestration (how to orchestrate for strings, brass, woods, percussion… voicing, balance between different families, etc).</p><p><b>The "SVO" course</b> teaches ORCHESTRAL MOCKUP PRODUCTION. How to use your sequencer (Cubase, Logic, Digital Performer) and sample libraries (Spitfire, EastWest, etc), and plugins (Waves, Fabfilter...) to produce orchestral mockups. It teaches synthestration (orchestrating for sample libraries), mixing, and mastering. It's about orchestral music production.&nbsp;</p><hr><h3 style="color: rgb(0, 0, 0);"><b style="letter-spacing: 0.1px;"><span style="letter-spacing: 0.1px;">What's included in the SVO course</span>?</b></h3><p></p><ul></ul><ul></ul><p></p><p>This is the SVO Syllabus. (The first module – Synthestration. Tactics For A Good Sound – was included as bonus content in this course)</p>


<h3><span style="color: inherit;">Synthestration. Tactics For A Good Sound</span><br></h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Difference – Samples &amp; Real Orchestra</li>
<li>&nbsp;Recording Dynamics</li>
<li>&nbsp;Balance</li>
<li>&nbsp;Balance - Bonus Video</li>
<li>&nbsp;Panning</li>
<li>&nbsp;Layers: Distributing your Musical Ideas</li>
<li>&nbsp;Volume: 7, 11, Kontakt, Audio, Gain, etc</li>
<li>&nbsp;Keyswitches</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Using Templates To Boost Productivity</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Routing Concepts</li>
<li>&nbsp;Small &amp; Big Templates. Pros &amp; Cons</li>
<li>&nbsp;Routing. Within Your Sequencer</li>
<li>&nbsp;Minimum set-up</li>
<li>&nbsp;Modular Template (Sonar &amp; Cubase)</li>
<li>&nbsp;Organization: Groups, Kontakt Instances, Buses, Stems</li>
<li>&nbsp;Organization - Bonus Video: Setting up your DAW for film scoring</li>
<li>&nbsp;Reverbs</li>
<li>&nbsp;Computer Specs</li>
<li>&nbsp;Latency Optimizing</li>
<li>&nbsp;Bonus - Sketching Super Patches</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 1: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Ready-to-go Tracks: configured and pre-routed</li>
<li>&nbsp;Getting a Tight &amp; Powerful Orchestral Sound</li>
<li>&nbsp;Orchestrating Percussion Beds</li>
<li>&nbsp;Sequencing a Percussion Bed</li>
<li>&nbsp;Ensemble Patches: benefits and when to use them</li>
<li>&nbsp;Sequencing Long Strings</li>
<li>&nbsp;Sequencing Trumpets</li>
<li>&nbsp;Horn Patches: for an epic cinematic sound</li>
<li>&nbsp;Tremolo Strings</li>
<li>&nbsp;Low Staccato Strings: for an epic cinematic sound</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Part 2: Arranging For Samples, Techniques Compilation</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Strings Measured Tremolos/Staccatos</li>
<li>&nbsp;Sequencing Fast Strings - Three Approaches</li>
<li>&nbsp;The Timpani, as a main orchestral percussion instrument</li>
<li>&nbsp;Blending Orchestral and Percussion Parts</li>
<li>&nbsp;Blending Choir and Orchestra</li>
<li>&nbsp;Compressing Velocities. The easy way.</li>
<li>&nbsp;Is importing MIDI from the score editor to sequencer a good idea?</li>
<li>&nbsp;Sketching in your Sequencer</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (1). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mixing with Stems</li>
<li>&nbsp;Analog Saturation</li>
<li>&nbsp;Reverb</li>
<li>&nbsp;Equalization</li>
<li>&nbsp;Compression</li>
<li>&nbsp;Automation: Where the Magic Happens</li>
<li>&nbsp;Bonus Video - Remember: a good mix cannot fix arranging/composing mistakes</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (2). Secrets Of The Pros</h3>
<ul>
<li>&nbsp;Mixing - Overview Sections</li>
<li>&nbsp;Mixing - High Strings</li>
<li>&nbsp;Mixing - Low Strings</li>
<li>&nbsp;Mixing - Strings Automation</li>
<li>&nbsp;Mixing - Horns</li>
<li>&nbsp;Mixing - Trumpets</li>
<li>&nbsp;Mixing - Choirs</li>
<li>&nbsp;Mixing - Brass Ensemble</li>
<li>&nbsp;Mixing - Flute</li>
<li>&nbsp;Mixing - Electric Bass</li>
<li>&nbsp;Mixing - High Percussion</li>
<li>&nbsp;Mixing - Mid &amp; Low Percussion</li>
<li>&nbsp;Mixing - Piano</li>
<li>&nbsp;Mixing - Celesta</li>
<li>&nbsp;Mixing - Harp</li>
<li>&nbsp;Mixing - Connecting Reverb</li>
<li>&nbsp;Mixed Track</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mixing (3). Expanding Mixing Depth</h3>
<ul>
<li>&nbsp;Expanding Mixing Depth</li>
<li>&nbsp;Expanding Mixing Depth - Reverbs</li>
<li>&nbsp;Expanding Mixing Depth - Delays</li>
<li>&nbsp;Expanding Mixing Depth - FX</li>
<li>&nbsp;Expanding Mixing Depth - MaxxBass</li>
<li>&nbsp;Learning from the pros</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Mastering</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Mastering - Overview</li>
<li>&nbsp;Mastering - EQ</li>
<li>&nbsp;Mastering - Analog Saturation</li>
<li>&nbsp;Mastering - Dynamics</li>
<li>&nbsp;Mastering - Exciter</li>
<li>&nbsp;Mastering - Imager</li>
<li>&nbsp;Mastering - Maximizer</li>
<li>&nbsp;Mastering - Automation</li>
<li>&nbsp;Mastered Track</li>
<li>&nbsp;Bonus Video - Mastering with standard (non UAD) plugins</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Composing Workflow: Efficiency</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Composing</li>
<li>&nbsp;Mixing</li>
<li>&nbsp;Assignment</li>
</ul>
<h3>Bonus #1: Class A Composers' Systems, Explained</h3>
<ul>
<li>&nbsp;Introduction</li>
<li>&nbsp;Tom Holkenborg</li>
<li>&nbsp;Harry Gregson-Williams</li>
<li>&nbsp;John Powell</li>
</ul>
<h3>Bonus #2: Case Studios, Behind The Scenes (PRO Version)</h3>
<ul>
<li>&nbsp;Thriller/Spy/Comedy</li>
<li>&nbsp;Romantic Love Ballade - Part 1</li>
<li>&nbsp;Romantic Love Ballade - Part 2</li>
<li>&nbsp;Grand Orchestral Trailer - Intro</li>
<li>&nbsp;Grand Orchestral Trailer - Composing</li>
<li>&nbsp;Grand Orchestral Trailer - Mixing</li>
<li>&nbsp;Grand Orchestral Trailer - Mastering</li>
<li>&nbsp;Action/Adventure - Synthestration</li>
<li>&nbsp;Action/Adventure - Mixing 1</li>
<li>&nbsp;Action/Adventure Mixing 2</li>
</ul>
<h3>Bonus #3: Studio Ergonomics (PRO Version)</h3>
<ul>
<li>&nbsp;Basic Desk Schematics</li>
<li>&nbsp;Composer Desk Under $70</li>
<li>&nbsp;Minimal Gear and How to Distribute It in Your Desk</li>
</ul>
<h3>Bonus #4: Sample Libraries List (EXPERT Version)</h3>
<ul>
<li>&nbsp;Marc Jovani's Template</li>
</ul>
<h3>Bonus #5: 1h Coaching Call With Marc (EXPERT Version)</h3>
<h3>Bonus #6: 1h Coaching Call With An Active Composer Working In The Hollywood Industry (EXPERT Version)</h3>
<p><br></p><div><a class="btn btn-primary btn-lg" href="https://orchestrationcourse.com/svo-incourse-upsell-stripe-7637470" target="_blank" style="line-height: 1.33333;">Get the SVO course for just $197</a></div><div><div><br></div><div>NOTE: This is a special discount just for students.&nbsp;This version includes the best of the course content (Power Package + Marc's Template) plus Two Assignment Revisions for a fraction of the price.</div><div><br></div></div>'
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