Mastering Orchestral Music
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<p>You've spent way <strong>too many hours</strong> getting a really <strong>sweet mix</strong> on your new orchestral track and you're pretty happy with the result so you bounce it down and take a break for a while so you can listen to it later with fresh ears.</p>
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The Mastering Chain:
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Analogue Saturation
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Equalization
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Exciter
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Imager
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Maximizer
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Automation
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<p>You come back to the studio, cue up a few tracks from your favorite composers of a similar style and press play.</p>
<p>And your face drops. What's happening here?&nbsp;</p>
<p>The track you were so proud of just a few hours ago suddenly <strong>sounds completely amateurish</strong>. It's got a <strong>'harshness' to the upper mids</strong> and a '<strong>muddy' build-up in the lower mids</strong>. It seems to have <strong>no width </strong>to it, it sounds <strong>bland</strong>.&nbsp;</p>
<p>And worst of all it's so much <strong>lower in volume</strong> than the pro tracks you're comparing it to.</p>
<p>What went wrong?&nbsp;</p>',
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- An Overview - Learn what 'mastering' actually is and develop an understanding of what exactly you are trying to achieve with your own tracks.

The Mastering Chain:
- Here you'll discover what elements you'll need to give your track the sparkle and punch it needs to compete with 'pro' productions.

Analogue Saturation
- To 'warm it up a bit' and help it sound a bit more organic.

Equalization
- To identify and either 'carve out' or 'support' the problem areas of the finished mix.

Exciter
- To give a bit of extra sparkle if it's needed.

Dynamics
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Imager
- To help give your track a greater feeling of width and space.

Maximizer
- To ride the outputs of your mix and make sure it is always 'present' and 'impactful'

Automation
- Learn how automation can bring a more human 'feel' to orchestral tracks as it emulates the changing dynamics of real players.',
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		'content' => '<h1><span style="background-color: rgb(255, 255, 255);"><font face="Lato"><span style="font-size: 14px; font-weight: 400; text-transform: none;">[vimeo=https://player.vimeo.com/video/646355918?h=3dcf828324&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479/embed]</span></font></span><br></h1><h1>Welcome to the Mastering Orchestral Music course.</h1><p><br></p><p> We are very excited to start this course with you.

In this course you will learn the basic tools that you need as a composer to get a full master of your music.
</p><p>
Mastering is the last step in the mockup production process. It is an important step and it will ensure both that your track sounds loud and that consistently translates well no matter what system you’re playing it back to.
</p><p>
In the following videos we’ll see the mastering plugin chain for both orchestral and hybrid tracks. </p><p>The main difference between those will be that when we’re mastering a hybrid track (orchestra &amp; synths) we may apply a little bit of multi-band dynamic compression, while if we’re mastering an orchestral track (no synths) we won't. </p><p>The rest of the mastering steps will remain the same.
</p><p>
It is very important, when mastering an orchestral or hybrid track, to keep the natural dynamics, especially for the orchestral part.<span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">So we will avoid drastic compression or limiting in the dynamics or maximizer step.
</span></p><p><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">
Enjoy the journey,
</span></p><p><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">
See you on the other side!
</span></p><p><span style="background-color: rgb(255, 255, 255); letter-spacing: 0.1px;">Marc</span><br></p>',
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The Mastering Chain:
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Analogue Saturation
- To 'warm it up a bit' and help it sound a bit more organic.

Equalization
- To identify and either 'carve out' or 'support' the problem areas of the finished mix.

Exciter
- To give a bit of extra sparkle if it's needed.

Dynamics
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Imager
- To help give your track a greater feeling of width and space.

Maximizer
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Automation
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	'problem_text' => '<p>You know the feeling.&nbsp;</p>
<p>You've spent way <strong>too many hours</strong> getting a really <strong>sweet mix</strong> on your new orchestral track and you're pretty happy with the result so you bounce it down and take a break for a while so you can listen to it later with fresh ears.</p>
<p>You come back to the studio, cue up a few tracks from your favorite composers of a similar style and press play.</p>
<p>And your face drops. What's happening here?&nbsp;</p>
<p>The track you were so proud of just a few hours ago suddenly <strong>sounds completely amateurish</strong>. It's got a <strong>'harshness' to the upper mids</strong> and a '<strong>muddy' build-up in the lower mids</strong>. It seems to have <strong>no width </strong>to it, it sounds <strong>bland</strong>.&nbsp;</p>
<p>And worst of all it's so much <strong>lower in volume</strong> than the pro tracks you're comparing it to.</p>
<p>What went wrong?&nbsp;</p>',
	'solution_title' => 'It's Time For A Master Touch',
	'solution_text' => '<p>Take heart my friend. All is not lost!&nbsp;</p><p>Think about it for a minute. You're trying to compare a track that you probably created and mixed all by yourself with tracks that have been mixed to a very high standard (possible by a dedicated mix engineer) and then 'mastered or polished' to give them the most impact and sparkle!&nbsp;</p><p>Provided your track is well mixed, there is a very strong possibility that after you've given it a bit of careful tweaking, <b>your track will once again bring a big smile to your face</b>.&nbsp;</p>',
	'curriculum_text' => '<p>In this course, you will learn what finishing touches need to be considered <b>to ensure your track compares well to professionally released tracks</b>.</p><p>You'll learn what tools you're going to need to achieve a <b>polished and professional sound</b> and you'll also learn how to use those tools and set them up to get a great result for your own tracks.</p>',
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	'learning_topics_list' => 'Mastering:
- An Overview - Learn what 'mastering' actually is and develop an understanding of what exactly you are trying to achieve with your own tracks.

The Mastering Chain:
- Here you'll discover what elements you'll need to give your track the sparkle and punch it needs to compete with 'pro' productions.

Analogue Saturation
- To 'warm it up a bit' and help it sound a bit more organic.

Equalization
- To identify and either 'carve out' or 'support' the problem areas of the finished mix.

Exciter
- To give a bit of extra sparkle if it's needed.

Dynamics
- To 'level out' any noticeable peaks and troughs that will make your track sound bumpy and amateurish.

Imager
- To help give your track a greater feeling of width and space.

Maximizer
- To ride the outputs of your mix and make sure it is always 'present' and 'impactful'

Automation
- Learn how automation can bring a more human 'feel' to orchestral tracks as it emulates the changing dynamics of real players.',
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	'id' => (int) 3413,
	'name' => 'Introduction',
	'color' => '#000000',
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	'content' => '<h1><span style="background-color: rgb(255, 255, 255);"><font face="Lato"><span style="font-size: 14px; font-weight: 400; text-transform: none;">[vimeo=https://player.vimeo.com/video/646355918?h=3dcf828324&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479/embed]</span></font></span><br></h1><h1>Welcome to the Mastering Orchestral Music course.</h1><p><br></p><p> We are very excited to start this course with you.

In this course you will learn the basic tools that you need as a composer to get a full master of your music.
</p><p>
Mastering is the last step in the mockup production process. It is an important step and it will ensure both that your track sounds loud and that consistently translates well no matter what system you’re playing it back to.
</p><p>
In the following videos we’ll see the mastering plugin chain for both orchestral and hybrid tracks. </p><p>The main difference between those will be that when we’re mastering a hybrid track (orchestra &amp; synths) we may apply a little bit of multi-band dynamic compression, while if we’re mastering an orchestral track (no synths) we won't. </p><p>The rest of the mastering steps will remain the same.
</p><p>
It is very important, when mastering an orchestral or hybrid track, to keep the natural dynamics, especially for the orchestral part.<span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">So we will avoid drastic compression or limiting in the dynamics or maximizer step.
</span></p><p><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">
Enjoy the journey,
</span></p><p><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">
See you on the other side!
</span></p><p><span style="background-color: rgb(255, 255, 255); letter-spacing: 0.1px;">Marc</span><br></p>',
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