Template Creation
0% Completed
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You'll quickly learn why a great template can become your 'best friend' when composing orchestral cues.

Routing and Organization.
A big part of having an effective template is ensuring the instruments you want are 'ready to go' without having to worry about what triggers them and where their outputs are.

Setting up your DAW for film scoring
Adding the extra tracks you'll need to score your film projects like tempo, markers, dialogue, temp music track, etc.

Setting Up Reverbs
When, Why, How, and which ones?

Understanding Kontakt
You'll learn how to build multi's in Kontakt and how to set EQ and levels inside the instruments of the multi.

Optimize Your System
Learn how to get the most out of your system with the tricks to optimize your setup.

What The Pro's DO
Have a look at the way some of the very best composers set up their templates.

A Cue In Ten Minutes
Watch Marc write a cue using pre-orchestrated ensemble patches for a big sound ultra fast.',
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You'll quickly learn why a great template can become your 'best friend' when composing orchestral cues.

Routing and Organization.
A big part of having an effective template is ensuring the instruments you want are 'ready to go' without having to worry about what triggers them and where their outputs are.

Setting up your DAW for film scoring
Adding the extra tracks you'll need to score your film projects like tempo, markers, dialogue, temp music track, etc.

Setting Up Reverbs
When, Why, How, and which ones?

Understanding Kontakt
You'll learn how to build multi's in Kontakt and how to set EQ and levels inside the instruments of the multi.

Optimize Your System
Learn how to get the most out of your system with the tricks to optimize your setup.

What The Pro's DO
Have a look at the way some of the very best composers set up their templates.

A Cue In Ten Minutes
Watch Marc write a cue using pre-orchestrated ensemble patches for a big sound ultra fast.',
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Routing and Organization.
A big part of having an effective template is ensuring the instruments you want are 'ready to go' without having to worry about what triggers them and where their outputs are.

Setting up your DAW for film scoring
Adding the extra tracks you'll need to score your film projects like tempo, markers, dialogue, temp music track, etc.

Setting Up Reverbs
When, Why, How, and which ones?

Understanding Kontakt
You'll learn how to build multi's in Kontakt and how to set EQ and levels inside the instruments of the multi.

Optimize Your System
Learn how to get the most out of your system with the tricks to optimize your setup.

What The Pro's DO
Have a look at the way some of the very best composers set up their templates.

A Cue In Ten Minutes
Watch Marc write a cue using pre-orchestrated ensemble patches for a big sound ultra fast.',
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	'problem_text' => '<p>One thing is for sure!</p><p>It's a great time to be an orchestral composer. We have an incredible array of orchestral sounds right at our fingertips. We voice a chord on our midi keyboards and an entire section jumps out of our speakers.</p><p>And if you only have a few ideas to orchestrate, it's fantastic. But what happens if your <b>composition starts to get more complex</b>?</p><p>The ideas keep coming and you start adding more and more tracks to your masterpiece. Then pretty soon you're spending more time adding tracks and selecting instruments than you are creating music.&nbsp;</p><p>And that's not all.&nbsp; You notice that your <b>system</b> starts freaking out with all the <b>extra load </b>you're giving it. And when you do finally get it to where you want it, you've got to do the whole thing all over again for your next project.&nbsp;</p><p>There must be an easier way!</p>',
	'solution_title' => 'Set and Forget',
	'solution_text' => '<p>You need <b>a system that lets you get on with composing</b> rather than fighting against you every step of the way. You need a system that preloads a selection of quick sketching patches for those moments of inspiration. You need all your favorite instruments 'on hand so you're not wasting time loading them up every time you want them.</p><p>What you really need is a <b>well-designed 'template'</b> that can load into your DAW before each project.</p><p>Maybe you already knew that. Maybe you've tried to set a template for yourself but given up because it seemed way too hard.&nbsp;</p><p>Yes! Setting up a great template can be a chore for some people but let me tell you, once you've got it right, you won't ever go back to not using one again.&nbsp;</p>',
	'curriculum_text' => '<p>Our Template Creation course is designed to give you the knowledge to build templates that will explode your workflow.</p><p>You'll learn about the <b>different types of templates</b> (small, big, and modular) and how to work out which is right for you.&nbsp; You'll also learn how to use<b> Kontakt efficiently</b> and how to handle latency issues.</p><p>You'll discover how to load and route all your instruments in your DAW and how to group them in a logical way to make exporting for mixing easier.&nbsp;</p>',
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	'learning_topics_list' => 'Templates. What's the Big Deal?
You'll quickly learn why a great template can become your 'best friend' when composing orchestral cues.

Routing and Organization.
A big part of having an effective template is ensuring the instruments you want are 'ready to go' without having to worry about what triggers them and where their outputs are.

Setting up your DAW for film scoring
Adding the extra tracks you'll need to score your film projects like tempo, markers, dialogue, temp music track, etc.

Setting Up Reverbs
When, Why, How, and which ones?

Understanding Kontakt
You'll learn how to build multi's in Kontakt and how to set EQ and levels inside the instruments of the multi.

Optimize Your System
Learn how to get the most out of your system with the tricks to optimize your setup.

What The Pro's DO
Have a look at the way some of the very best composers set up their templates.

A Cue In Ten Minutes
Watch Marc write a cue using pre-orchestrated ensemble patches for a big sound ultra fast.',
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Harry Gregson-Williams

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BONUS: Class A Composers' Systems, Explained

Harry Gregson-Williams

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