Mixing Orchestral Music
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		'problem_text' => '<p dir="ltr" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; padding: 0pt 0pt 12pt;"><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">Orchestral cues often have lots of </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">'<b>moving parts</b>'</span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">. There's the living, breathing </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>dynamics</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> of each of the </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>sections</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> as they play off each other, there's the incredible </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>range of timbres</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> that the instruments are able to produce and there's the sheer </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>size of the soundscape</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">.</span></p><p dir="ltr" style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt; padding: 0pt 0pt 12pt;"><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">The job as a mixer can seem overwhelming. You often start with </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>hundreds of individual tracks</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> and somehow have to find a way to </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>blend them together</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> to bring a </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>balanced</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> and </span><b><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">'well rounded'</span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">sound</span></b><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">.</span></p><p><span id="docs-internal-guid-6fd813ec-7fff-2351-aaca-16b906c537ff"><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">What we need is </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>a system</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> we can use for 'every mix' that </span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><b>breaks things down into logical steps</b></span><span style="font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"> and explains every aspect of orchestral mixing.</span></span><br></p>',
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Learn how to bring all those tracks into stems to make your mixing job easier and more spontaneous.

Enhance and Sculpt
Learn how to add some spice to your samples with analog saturation and then sculpt them to give them character.

Inject Some Realism
As good as modern sample libraries are, you need need to take control to make them sound more 'human'. This is where automation shines.

A Deeper Look
This is where you are shown how to get the absolute best out of your samples libraries. It includes a comprehensive guide for each possible scenario for just about every instrument. Eg. Mixing for both 'low' and 'high' strings with short and long notes, Mixing trumpets, horns and brass ensemble, Hi and Lo percussion, etc

Front to Back
Discover how to enhance the depth of your mix using a variety of tools and techniques including reverbs and delays.

A Look Behind The Scenes
Study some pro tracks as they move through from the 'composition stage' all the way through to the mixing stage to the mastering process.',
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Learn how to bring all those tracks into stems to make your mixing job easier and more spontaneous.

Enhance and Sculpt
Learn how to add some spice to your samples with analog saturation and then sculpt them to give them character.

Inject Some Realism
As good as modern sample libraries are, you need need to take control to make them sound more 'human'. This is where automation shines.

A Deeper Look
This is where you are shown how to get the absolute best out of your samples libraries. It includes a comprehensive guide for each possible scenario for just about every instrument. Eg. Mixing for both 'low' and 'high' strings with short and long notes, Mixing trumpets, horns and brass ensemble, Hi and Lo percussion, etc

Front to Back
Discover how to enhance the depth of your mix using a variety of tools and techniques including reverbs and delays.

A Look Behind The Scenes
Study some pro tracks as they move through from the 'composition stage' all the way through to the mixing stage to the mastering process.',
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Learn how to bring all those tracks into stems to make your mixing job easier and more spontaneous.

Enhance and Sculpt
Learn how to add some spice to your samples with analog saturation and then sculpt them to give them character.

Inject Some Realism
As good as modern sample libraries are, you need need to take control to make them sound more 'human'. This is where automation shines.

A Deeper Look
This is where you are shown how to get the absolute best out of your samples libraries. It includes a comprehensive guide for each possible scenario for just about every instrument. Eg. Mixing for both 'low' and 'high' strings with short and long notes, Mixing trumpets, horns and brass ensemble, Hi and Lo percussion, etc

Front to Back
Discover how to enhance the depth of your mix using a variety of tools and techniques including reverbs and delays.

A Look Behind The Scenes
Study some pro tracks as they move through from the 'composition stage' all the way through to the mixing stage to the mastering process.',
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Learn how to bring all those tracks into stems to make your mixing job easier and more spontaneous.

Enhance and Sculpt
Learn how to add some spice to your samples with analog saturation and then sculpt them to give them character.

Inject Some Realism
As good as modern sample libraries are, you need need to take control to make them sound more 'human'. This is where automation shines.

A Deeper Look
This is where you are shown how to get the absolute best out of your samples libraries. It includes a comprehensive guide for each possible scenario for just about every instrument. Eg. Mixing for both 'low' and 'high' strings with short and long notes, Mixing trumpets, horns and brass ensemble, Hi and Lo percussion, etc

Front to Back
Discover how to enhance the depth of your mix using a variety of tools and techniques including reverbs and delays.

A Look Behind The Scenes
Study some pro tracks as they move through from the 'composition stage' all the way through to the mixing stage to the mastering process.',
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Mixing - How to Clean a Bussy Percussion Stem

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Mixing - How to Clean a Bussy Percussion Stem

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