Mixing For Composers
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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		'content' => '<h1 style="color: rgb(0, 0, 0);"><span style="font-size: 30px; background-color: rgb(255, 255, 255);">NEXT MFC Assignment Date</span></h1><h1 style="color: rgb(0, 0, 0);"><span style="font-size: 30px; background-color: rgb(255, 255, 255);"><br></span></h1><h4><ul><li style="font-family: Lato;"><span style="font-weight: bold;">February 18th (Friday) 2022 </span><b>-&nbsp;9 A.M. (LA Time)</b>&nbsp;&nbsp;// &nbsp; Deadline: February 14th - 23:59 (LA Time)</li><p style="font-family: Lato;"></p><p style="font-family: Lato;"></p><p style="font-family: Lato;"></p><p style="font-family: Lato;"></p></ul></h4><p></p><p></p><p></p><p></p><p></p><br><h1 style="color: rgb(0, 0, 0);"><span style="font-size: 30px; background-color: rgb(255, 255, 255);">Instructions for Submission (read carefully)</span></h1><h3><p style="color: rgb(0, 0, 0);"></p><p></p><p></p><p></p><p></p></h3><h4><ul><li style="font-family: Lato;"><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">Submit a ZIP file with your Mixed Track + Four (4) Stems</span></li></ul><ul><li style="font-family: Lato;"><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);"><b>Upload your track to this Google Drive Folder:</b> <a href="https://drive.google.com/drive/folders/1yasU6THUpn-QoGi0ikXlRaSMMuZKj-y9?usp=sharing" target="_blank">Assignments - MFC</a></span></li></ul><ul><li style="color: rgb(0, 0, 0); font-family: Lato;"><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">The Track can be of any style.</span></li></ul><ul><li style="color: rgb(0, 0, 0); font-family: Lato;"><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">Submit the best possible mix.</span></li></ul><ul><li style="color: rgb(0, 0, 0); font-family: Lato;"><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">The duration of the Track must be of 90 seconds maximum.</span></li></ul><ul><li style="color: rgb(0, 0, 0); font-family: Lato;"><span style="letter-spacing: 0.1px; color: inherit; background-color: rgb(255, 255, 255);">The Stems and stereo mix must be configured so that the stems panned hard left-right with the faders at 0dB would match the Stereo mix.</span></li></ul></h4><p></p><p></p><p></p><p></p><p></p><p style="color: rgb(0, 0, 0);"><br></p><h1 style="color: rgb(0, 0, 0);"><span style="font-size: 30px; background-color: rgb(255, 255, 255);">**IMPORTANT INFORMATION**</span></h1><h3 style="color: rgb(0, 0, 0);"><p style="font-family: Lato;">1) The Assignment Revision is only available for the students who added to their enrollment the option to get Dennis feedback on your mix for a whole complete year, once a month.</p><p><span style="font-family: Lato; letter-spacing: 0.1px; color: inherit; background-color: rgb(255, 255, 255);">2) In case you didn't add to your enrollment this option to get feedback at the moment of enrollment. You can always upgrade and add&nbsp;</span><a href="https://mixingcourse.com/upgrassign-stripe786587t7y" target="_blank" style="background-color: rgb(255, 255, 255); font-family: Lato; letter-spacing: 0.1px;">ONE YEAR OF ASSIGNMENTS REVISIONS</a><span style="font-family: Lato; letter-spacing: 0.1px; color: inherit; background-color: rgb(255, 255, 255);">&nbsp;to your course&nbsp;</span><a href="https://mixingcourse.com/upgrassign-stripe786587t7y" target="_blank" style="background-color: rgb(255, 255, 255); font-family: Lato; letter-spacing: 0.1px;">HERE</a><span style="font-family: Lato; letter-spacing: 0.1px; color: inherit; background-color: rgb(255, 255, 255);">.</span></p></h3><p><span style="letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">If you have any questions, please send an email to alicia@cinematiccomposing.com</span></p><p><span style="background-color: rgb(255, 255, 255); font-size: 30px; letter-spacing: 0.1px;"><br></span></p><p><span style="background-color: rgb(255, 255, 255); font-size: 30px; letter-spacing: 0.1px;">-----</span><br></p><h6 style="color: rgb(0, 0, 0);"><span style="font-size: 30px; background-color: rgb(255, 255, 255);"><i>HISTORIC OF ASSIGNMENTS DATES</i></span></h6><h3 style="color: rgb(0, 0, 0);"><p></p><p></p><p></p><p></p><p></p></h3><h4><ul><li style="font-family: Lato;"><span style="font-weight: 700;">November 6th&nbsp;(Friday)&nbsp;- 9 A.M. (LA Time)&nbsp;</span>&nbsp; &nbsp;//&nbsp; &nbsp;Submission Deadline: October 30th</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">December 4th (Friday) - 9 A.M. (LA Time)&nbsp;</span>&nbsp; &nbsp;//&nbsp; &nbsp;Submission Deadline: November 27th</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">February 12th (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp; &nbsp;//&nbsp; &nbsp;Submission Deadline: February 8th 23:59 (Pacific Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">March 19th (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: March 15th - 23:59 (LA Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700; color: inherit; background-color: rgb(255, 255, 255);">April 16th (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span><span style="color: inherit; background-color: rgb(255, 255, 255);">&nbsp;// &nbsp; Deadline: March 12th - 23:59 (LA Time)<br><br></span></li><li style="font-family: Lato;"><span style="color: inherit; background-color: rgb(255, 255, 255);"><span style="font-weight: 700;">May 21st (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;//&nbsp; Deadline: May 17th - 23:59 (LA Time)<br><br></span></li><li style="font-family: Lato;"><span style="font-weight: 700;">June 25th (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: June 21st - 23:59 (LA Time)<br><br></li><li style="font-family: Lato;"><span style="font-weight: 700;">July 23rd (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: July 19th - 23:59 (LA Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">August 27th (Friday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: August 23rd - 23:59 (LA Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">September 27th (Monday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: Sept 20rd - 23:59 (LA Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">October 18th (Wednesday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: October 14th - 23:59 (LA Time)</li></ul></h4><h4><ul><li style="font-family: Lato;"><span style="font-weight: 700;">November 22nd (Monday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: November 17th - 23:59 (LA Time)</li></ul><ul><li style="font-family: Lato;"><span style="font-weight: 700;">December 23rd (Thursday) 2021 - 9 A.M. (LA Time)&nbsp;</span>&nbsp;// &nbsp; Deadline: December 19th - 23:59 (LA Time) (Canceled)</li></ul><p style="font-family: Lato;"><span style="color: rgb(0, 0, 0); font-size: 30px; letter-spacing: 0.1px; background-color: rgb(255, 255, 255);">-----</span></p></h4>',
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		'content' => '<div><p style="color: rgb(0, 0, 0);">This is the REPLAY for the Q&amp;A Live Session with Dennis on 10/02/20.</p><p style="color: rgb(0, 0, 0);"><span style="background-color: rgb(255, 255, 255); letter-spacing: 0.1px;">You can find below (underneath the button) a detailed list of all the questions addressed during the session and the time code where you can find them in the replay. Enjoy!</span></p><ul></ul></div><p>[vimeo=https://player.vimeo.com/video/464312006]


</p><p></p><h2>What to do next</h2><ul><li>Share this with your friends if you think this would be helpful for them! ❤️</li></ul><ul><li>If you’re not a “Mixing for Composers” student, feel free to watch some of the free content here: <a href="https://mixingcourse.com/login-demo-content145363473473">DEMO</a></li></ul><ul><li>If you’re interested in the course - sign in <a href="https://mixingcourse.com/mixing-for-composers8h87hu7">here</a>! <br></li></ul><ul><li>If you’re already a student, stay tuned for course updates and the next live session!</li></ul>


<div class="text-center"> 
<a class="btn btn-primary btn-lg" href="https://mixingcourse.com/mixing-for-composers8h87hu7" target="_blank" role="button"><i class=""></i> Mixing for Composers</a></div><div class="text-center"><br></div><div class="text-center"><h2 style="color: rgb(0, 0, 0); text-align: start;">Questions asked during the session</h2><ul style="text-align: start;"></ul></div><ul><li>Does the perfect room for mixing exist? How would it be? How <b>important</b> is the <b>room for mixing</b>?&nbsp; (07:42)</li><li>What’s a <b>good workflow for mixing</b>? Where should you start and in what order should you be looking at things?&nbsp; (14:25)</li><li>What’s more important to invest in? The <b>perfect samples of the perfect Mixing / Mastering plugins</b>?&nbsp; (19:10)</li><li>What is your advice on <b>saturation</b>? Use it on individual channels or bus groups? (22:20)</li><li>Do you <b>match all the levels </b>of the different tracks (volume fader) first before you <b>apply plugins</b> to any channel? (26:10)</li><li>Some of us don't have a studio and have to mix with <b>headphones</b> most of the time. How <b>reliable</b> are they for mixing? Are we missing so much? (29:15)</li><li>What are the <b>most common mistakes</b> that producers make when mixing and how to avoid them (33:35)</li><li>What is the<b> best format</b> to prepare something to be mixed by a pro? (36:46)</li><li><b>Mixing in mono.</b> Is it needed for Film mixing?&nbsp; (39:40)</li><li>What <b>gear</b> do you use? (Audio Interface, Headphones, Monitors…)? (41:15)</li><li>What <b>monitors </b>do<b> </b>you<b> </b>recommend for a <b>small studio</b>? (44:40)</li><li>Mixing in <b>mono</b>. Is it needed for <b>Film mixing</b>? (39:40)</li><li>What is your <b>favorite Album</b> from a mixing perspective? Not necessarily a soundtrack. Just as a <b>reference</b> point. (47:03)</li><li>Is gain staging a part of your <b>mixing workflow</b>? (49:41)</li><li>Do you use <b>reference tracks/songs when mixing</b>? (56:30)</li><li>Do you run out of <b>UAD DSP</b> often? Or do the tape plugins not take too much of the DSP? Also, does that stacking “hiss” make it sound worse? (1:01:35)</li><li>Mixing engineers often say be careful with the amount of compression you add to film scores. Now when it comes to rock and electronic music, a good amount of compression is standard. Although it depends on the track, how much <b>compression</b> and <b>limiting</b> would you recommend?&nbsp; (1:07:20)</li><li>Do you have experience with the <b>»Abbey Road Studio 3« plugin </b>for simulation of speaker crosstalk which is obviously non-existent when mixing on headphones?&nbsp; (1:13:30)</li><li>Do you use <b>internal “clocking” or external “clocking”</b> devices? (1:18:40)</li><li>How much does using<b> open-back headphones </b>close the gap between headphones and monitors? (1:22:15)</li><li>How broken out do you generally prefer for mixing? <b>Stems or separate Tracks</b>? (1:30:25)</li><li>What is your advice for <b>reverb returns</b>? (1:34:05)</li><li>Do you cut the<b> Low-end for reverbs</b>? (1:36:35)</li><li>After creating a group of reverb for a section ‘ex strings, do you send the <b>reverb to the strings stem or directly to the output</b>?(1:37:40)</li><li>Regarding <b>imaging</b>, apart from panning, what would you add in your mix? (1:41:35)</li><li>How to <b>set</b> <b>up</b> <b>speakers</b> right with the room?&nbsp; (1:48:10)</li><li>Can you talk more about how to <b>mix the low end of the piano </b>to maintain the clarity and power? (1:55:05)</li></ul><p></p>',
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