Cinematic Composing

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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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Learn and Discover all you need to mix powerful Orchestral Action cues. Mix successfully guitars, drums, synths, and orchestral elements together. Get the richer and powerful sound that you dream of.

How to mix Romance
Learn the tips and tricks to give your music a sense of gentleness and embrace the listener. Learn to soften your mix to serve the emotional content of the music.

How to mix Comedy
Learn how to mix a Comedy cue to enhance its Music, Make It Richer, Bigger, Wider, in one word... Make it Cinematic.

How to mix Rock
Learn how to mix a rock-style cue in detail. Guitars, Bass guitar, Drums, Synths, Effects, and Master compression to create a powerful mixed track.

Dennis Plugins Guide:
The ultimate plugin's guide for mixing chosen carefully Dennis Sands. Learn what are Dennis’s Top 10 plugins plus additional information on  Mixing Console & Plugins Order, Plugins Chain In The Aux. Send Of The Stereo Mix.

PRIVATE 1:1 MIXING COACHING: Assignment Revisions for 12 months
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</p><p></p><h2>What to do next</h2><ul><li>Share this with your friends if you think this would be helpful for them! ❤️</li></ul><ul><li>If you’re not a “Mixing for Composers” student, feel free to watch some of the free content here: <a href="https://mixingcourse.com/login-demo-content145363473473">DEMO</a></li></ul><ul><li>If you’re interested in the course - sign in <a href="https://mixingcourse.com/mixing-for-composers8h87hu7">here</a>! <br></li></ul><ul><li>If you’re already a student, stay tuned for course updates and the next live session!</li></ul>


<div class="text-center"> 
<a class="btn btn-primary btn-lg" href="https://mixingcourse.com/mixing-for-composers8h87hu7" target="_blank" role="button"><i class=""></i> Mixing for Composers</a></div><div class="text-center"><br></div><div class="text-center"><h2 style="color: rgb(0, 0, 0); text-align: start;">Questions asked during the session</h2><ul style="text-align: start;"></ul></div><ul><li>Does the perfect room for mixing exist? How would it be? How <b>important</b> is the <b>room for mixing</b>?&nbsp; (07:42)</li><li>What’s a <b>good workflow for mixing</b>? Where should you start and in what order should you be looking at things?&nbsp; (14:25)</li><li>What’s more important to invest in? The <b>perfect samples of the perfect Mixing / Mastering plugins</b>?&nbsp; (19:10)</li><li>What is your advice on <b>saturation</b>? Use it on individual channels or bus groups? (22:20)</li><li>Do you <b>match all the levels </b>of the different tracks (volume fader) first before you <b>apply plugins</b> to any channel? (26:10)</li><li>Some of us don't have a studio and have to mix with <b>headphones</b> most of the time. How <b>reliable</b> are they for mixing? Are we missing so much? (29:15)</li><li>What are the <b>most common mistakes</b> that producers make when mixing and how to avoid them (33:35)</li><li>What is the<b> best format</b> to prepare something to be mixed by a pro? (36:46)</li><li><b>Mixing in mono.</b> Is it needed for Film mixing?&nbsp; (39:40)</li><li>What <b>gear</b> do you use? (Audio Interface, Headphones, Monitors…)? (41:15)</li><li>What <b>monitors </b>do<b> </b>you<b> </b>recommend for a <b>small studio</b>? (44:40)</li><li>Mixing in <b>mono</b>. Is it needed for <b>Film mixing</b>? (39:40)</li><li>What is your <b>favorite Album</b> from a mixing perspective? Not necessarily a soundtrack. Just as a <b>reference</b> point. (47:03)</li><li>Is gain staging a part of your <b>mixing workflow</b>? (49:41)</li><li>Do you use <b>reference tracks/songs when mixing</b>? (56:30)</li><li>Do you run out of <b>UAD DSP</b> often? Or do the tape plugins not take too much of the DSP? Also, does that stacking “hiss” make it sound worse? (1:01:35)</li><li>Mixing engineers often say be careful with the amount of compression you add to film scores. Now when it comes to rock and electronic music, a good amount of compression is standard. Although it depends on the track, how much <b>compression</b> and <b>limiting</b> would you recommend?&nbsp; (1:07:20)</li><li>Do you have experience with the <b>»Abbey Road Studio 3« plugin </b>for simulation of speaker crosstalk which is obviously non-existent when mixing on headphones?&nbsp; (1:13:30)</li><li>Do you use <b>internal “clocking” or external “clocking”</b> devices? (1:18:40)</li><li>How much does using<b> open-back headphones </b>close the gap between headphones and monitors? (1:22:15)</li><li>How broken out do you generally prefer for mixing? <b>Stems or separate Tracks</b>? (1:30:25)</li><li>What is your advice for <b>reverb returns</b>? (1:34:05)</li><li>Do you cut the<b> Low-end for reverbs</b>? (1:36:35)</li><li>After creating a group of reverb for a section ‘ex strings, do you send the <b>reverb to the strings stem or directly to the output</b>?(1:37:40)</li><li>Regarding <b>imaging</b>, apart from panning, what would you add in your mix? (1:41:35)</li><li>How to <b>set</b> <b>up</b> <b>speakers</b> right with the room?&nbsp; (1:48:10)</li><li>Can you talk more about how to <b>mix the low end of the piano </b>to maintain the clarity and power? (1:55:05)</li></ul><p></p>',
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This is the REPLAY for the Assignment Revision with Dennis on 02/12/21.

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Dennis sands Assignment Review 2-12-21

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