Library Music: Create passive income streams
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<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
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<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


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[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
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<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


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[enroll]


[description]

[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
</div>








</div>

<p><br></p><p><span style="letter-spacing: 0.1px;">[header=Meet your instructor] [instructor]</span></p>





<div class="row">


<div class="col-md-7 mt-3">
[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
</div>


<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span>[countdown]<span style="letter-spacing: 0.1px;">&nbsp;[prices]</span></p><p><br></p><p></p><p></p><p><br></p><p>
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[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
</div>








</div>

<p><br></p><p><span style="letter-spacing: 0.1px;">[header=Meet your instructor] [instructor]</span></p>





<div class="row">


<div class="col-md-7 mt-3">
[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
</div>


<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span>[countdown]<span style="letter-spacing: 0.1px;">&nbsp;[prices]</span></p><p><br></p><p></p><p></p><p><br></p><p>
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	'id' => (int) 387,
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	'content' => '<p><span style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">Throughout my years of writing on a variety of projects, I have discovered that my natural writing speed is about <b>15 seconds of music per hour</b>. Of course when I have had imminent deadlines, I have achieved faster speeds, but this is my general speed in normal circumstances.&nbsp;</span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">I also apply this rate of composing to my Library tracks. If we go on the presumption that the <b>average Library track is around two minutes</b> in length, that would equate to me spending roughly <b>8 hours on each track</b>. I generally mix as I write, but this doesn’t include mastering, final tweaks etc.&nbsp;&nbsp;</span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">If I am writing the track for a publisher who offers buyout fees, it is relatively easy to work out an hourly writing rate. This doesn’t take into account any revisions which the publisher may ask for, but it at least gives you a rough idea.&nbsp;</span><br></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">Of course with stock sites or publishers where you will generate a passive income, it is a little more hit and miss. A track may take off and sell like hot cakes, or it may only sell a few times in its lifetime. For this reason, I always place a <b>limit</b> on how long I spend on a track which is <b>destined for a stock site</b> - for me that is <b>two days.</b></span><br></p><div><br></div><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;"></b><br></p>',
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		'name' => 'Quality vs Quality',
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		'content' => '<h4 style="color: rgb(51, 51, 51);">If you take a look at the many Library Music threads on popular forums such as VI Control or Gear Slutz, you will see many people weighing into the <b>quality vs quantity</b> debate. One argument is that you should make every piece as good as it can possibly be, giving it all the time it needs. The other is that you should focus more on providing a higher quantity of tracks, with this often having a detrimental effect on the quality of music.&nbsp;<br></h4><p style=""><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;"><b>My view</b> is that you should aim to produce your <b>absolute best work</b> <b>every time</b> you write a track, especially at the beginning of your library music journey.&nbsp; Make sure that you are not spending days and days on a track, but equally learn to write at a speed where you can achieve a </span>high <span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;"><b>quality two minute track</b>, in two or three days.&nbsp;&nbsp;</span><br></p><p style=""><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">It is far <b>better</b> to have <b>five stand out tracks</b>, rather than ten mediocre tracks, especially if these tracks will be published on sites such as Audio Jungle. <b>Invest your time into increasing the quality</b> of your tracks as much as you can. The competition is extremely high and you want to give your tracks the best chance of standing out from the crowd!</span><br></p><div><br></div>',
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		'name' => 'Making a 5-year plan',
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		'content' => '<h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Making money in the Library Music industry is certainly a<b> marathon</b> rather than a sprint. It may be hard at the beginning, as you are finding your feet and learning about what sells and what doesn’t sell. Like everything in life though, if you stick at it and are <b>persistent</b>, your efforts will eventually <b>pay off</b>.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Library Music is mostly about <b>generating passive income</b>. Yes some publishers offer buyouts for the future rights of tracks, but the majority of income is made in the <b>subsequent years</b> after you have written a particular track. For me it is still a magical feeling checking my balances on various sites and seeing that I’ve just made some money from tracks that I wrote five years ago.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">To anyone just starting out in Library Music, I would recommend that you make a <b>5 year plan</b>, broken down into yearly goals. Print out your plan and attach it to the wall in your studio, so you don’t lose focus of your goals.&nbsp;&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">See below for a plan I would recommend. Of course yours might be different, depending on your other commitments.&nbsp;</font></h4><div><br></div><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 1</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Aim to write 30 high quality tracks, in a variety of styles.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Upload 15 of these tracks to an exclusive stock site such as Audio Jungle and the other 15 to ten of your chosen non exclusive publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Keep a detailed account of the sales from each site together with which tracks and genres sell the most.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 2</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-As you get better and faster at writing, aim to write 50 tracks (one a week).</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-If you have good sales with your exclusive stock site, upload 25 of your 50 tracks to this site.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">&nbsp;-Research and upload the remaining 25 tracks to 10 new non exclusive publishers. Aim to upload tracks regularly throughout the year. You should now have 40 tracks with 20 different non exclusive&nbsp; publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again keep detailed sales accounts in a spreadsheet. By now you should have a clear idea of which sites are providing you with the best sales.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 3&nbsp;&nbsp;</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again aim to write another 50 tracks.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Based on your sales data from the previous two years, only upload to the libraries which are providing you with a good return.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Research some of the higher quality exclusive libraries. Aim to make contact with a publisher who will offer buyouts or upfront fees for your tracks.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 4</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Aim to write between 50 and 100 tracks.</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Depending on your success, you may be able to devote a large proportion of your time to writing library music.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Try to split your tracks among high end exclusive libraries and your best performing non exclusive libraries, in order to maintain and grow your passive income.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">&nbsp;<b><u>Year 5</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-If you are generating enough income to compose full time, aim to write 100+ tracks per year.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Keep researching and making contact with high end exclusive libraries, aiming to sell your music with a variety of exclusive publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-You should also see an income from royalties, from your tracks with high end exclusive publishers.&nbsp;</font></p><div><br></div>',
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