Film Music Cliches
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<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
</ul>
<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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</span></li><li><span style="font-weight: normal;">The use of dense clusters on the </span><b>low register </b><span style="font-weight: normal;">makes a very dark color, which is desirable on this genre.</span></li><li><span style="font-weight: normal;">The main task when we are orchestrating horror music is to </span><b>match "dark" harmonies with "dark" colors</b><span style="font-weight: normal;">. There are a lot of colour tones that we can describe as "dark", one of the examples that we heard before was performed scratching the low string inside a piano.</span></li><li>The <b>general size for the instrumentation is related to the horror intensity</b>. When the danger is far, we use little instrumentation. When the danger is closer, we use larger instrumentation.</li></ul>',
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<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
</ul>
<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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	'content' => '<p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">&nbsp; <u>Orchestration<font color="#333333">:</font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><span style="font-weight: normal;">The disonant clusters sounds more disonant on the brass section.</span></li><li><span style="font-weight: normal;">The use of</span><b> Strings and Woodwinds </b>performing the dissonant chords is perceived as less disonant.<span style="font-weight: normal; font-size: 12pt; line-height: 115%; font-family: Calibri, sans-serif;"><br style="mso-special-character:line-break">
</span></li><li><span style="font-weight: normal;">The use of dense clusters on the </span><b>low register </b><span style="font-weight: normal;">makes a very dark color, which is desirable on this genre.</span></li><li><span style="font-weight: normal;">The main task when we are orchestrating horror music is to </span><b>match "dark" harmonies with "dark" colors</b><span style="font-weight: normal;">. There are a lot of colour tones that we can describe as "dark", one of the examples that we heard before was performed scratching the low string inside a piano.</span></li><li>The <b>general size for the instrumentation is related to the horror intensity</b>. When the danger is far, we use little instrumentation. When the danger is closer, we use larger instrumentation.</li></ul>',
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		'content' => '<p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">Marco Beltrami's "The Omen"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- 6M4 Altar of Sacrifice (measures 29-37)</span></p><p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><span style="letter-spacing: 0.1px; color: rgb(0, 0, 0);">[audio=/uploads/topics/the-omen-6m4-altar-of-sacrifice-29-37-5b20a9bb9d580.mp3]</span></p><p><span style="letter-spacing: 0.1px;">[img=/uploads/topics/the-omen-6m4-altar-of-sacrifice-29-37-rs-5b3a2c1482b48.jpg]</span><br></p><p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">&nbsp;&nbsp;<u>Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li>Has often&nbsp;<b>little to no melody</b></li><li>The focus instead is on dissonant harmonies and&nbsp;<b>dark orchestral <a href="/courses/viewTopic/973">textures</a></b></li><li style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">When&nbsp;melody&nbsp;is used it focuses on&nbsp;<b><a href="/courses/viewTopic/973">dissonant</a> intervals</b>&nbsp;emphasizing pitches not found in the traditional major and minor scales</li><li>Melodic material is&nbsp;<b>highly fragmented</b></li><li>Can&nbsp;use fully&nbsp;chromatic scales and octatonic scales<br></li><li>Can use&nbsp;<b><a href="/courses/viewTopic/973">aleatoric</a> performance techniques</b></li></ul><p><br></p><p><br></p><p><br></p>',
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		'content' => '<p>Fantasy music is a genre that includes some of the most iconic scores of recent years from Narnia to Star Wars, Harry Potter to Lord of the Rings. It has a&nbsp;<b>strong musical imagery</b>&nbsp;that creates a whimsical, eery atmosphere&nbsp;<b>easily&nbsp;recognizable.</b>&nbsp;Its range can go from marvelous to weird, intriguing to scary.</p><p>Fantasy music is designed to inspire:</p><ul><li>a sense of&nbsp;<b>curiosity&nbsp;</b></li><li>a feeling of&nbsp;<b>awe</b>&nbsp;</li><li>a desire to be&nbsp;<b>playful</b></li><li>an awareness of&nbsp;<b>danger</b></li></ul><div><br></div><div>Playing with the various intensity of those four dimensions will results in a&nbsp;<b>wide range of musical expressions</b>.</div><div><b><br></b></div><p><span style="letter-spacing: 0.1px;">Even if though it's a broad genre, its&nbsp;</span><b style="letter-spacing: 0.1px;"><a href="/courses/viewTopic/973">sound texture</a>&nbsp;</b><span style="letter-spacing: 0.1px;">is probably the most constant and&nbsp;<b>recognizable</b>&nbsp;element</span><b style="letter-spacing: 0.1px;">.</b><span style="letter-spacing: 0.1px;">&nbsp;</span></p><p>To bring this sound to life, composers will draw from our&nbsp;<b>childhood memories</b>&nbsp;where our imagination had no limits.&nbsp;<b>Music box&nbsp;</b>like type of instruments (celesta, harp, glockenspiel, glass harmonica, musical saw, etc....) are the favorites and go-to for this genre. &nbsp;</p><p><span style="letter-spacing: 0.1px;">Because it can stand on its sound texture alone, it is not out of question and quite common to&nbsp;<b>borrow&nbsp;</b></span><span style="letter-spacing: 0.1px;">&nbsp;from<b>&nbsp;</b></span><b style="letter-spacing: 0.1px;">epic&nbsp;</b><span style="letter-spacing: 0.1px;">music</span><span style="letter-spacing: 0.1px;">, or sprinkle &nbsp;some&nbsp;</span><b style="letter-spacing: 0.1px;">suspense</b><span style="letter-spacing: 0.1px;">&nbsp;type of musical elements.&nbsp;</span><span style="letter-spacing: 0.1px;">You can also easily&nbsp;</span><span style="letter-spacing: 0.1px;">build</span><span style="letter-spacing: 0.1px;">&nbsp;around the structure of&nbsp;</span><b style="letter-spacing: 0.1px;">comedy</b><span style="letter-spacing: 0.1px;">&nbsp;music or bring the melodrama and feel of&nbsp;<b>mood/emotional&nbsp;</b>music.</span></p><p><span style="letter-spacing: 0.1px;">Just remember to</span><b style="letter-spacing: 0.1px;">&nbsp;keep us intrigued</b><span style="letter-spacing: 0.1px;">,&nbsp;</span><b style="letter-spacing: 0.1px;">scared</b><span style="letter-spacing: 0.1px;">&nbsp;and in a &nbsp;</span><b style="letter-spacing: 0.1px;">playful</b><span style="letter-spacing: 0.1px;">&nbsp;<b>mood</b>&nbsp;at the same time !</span></p><h6><span style="letter-spacing: 0.1px;"><br></span></h6><p style="color: rgb(51, 51, 51);"><b>Danny Elfman's "Hellboy II"</b>&nbsp;- 3M2 Teleplasty (measures 19-31)</p><p>[audio=/uploads/topics/hellboy-ii-3m2-19-31-5b20bbc1d842e.mp3]</p><p>[img=/uploads/topics/hellboy-ii-3m2-teleplasty-rs-5b36c90727465.jpg; max-width:100%]</p><h4><br></h4><p>Of all the film music styles, fantasy music is the closest to classical writing. A good technique of traditional four-part harmony and knowledge of classical repertoire will help. The depth and complexity of the fantasy music means you need a really good plan when starting. A well structured chord progression to complement the theme will make the composer’s life infinitely easier.</p><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">Paul Dukas' "The Sorcerer's Apprentice"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;(measures 71-78)&nbsp;</span>- used in the Disney animation movie Fantasia</p><p>[audio=/uploads/topics/sorcerer-s-aprentice-5b2a1100f12be.mp3]</p><p>[img=/uploads/topics/sorcerer-s-aprentice-score-1-5b36ca387846f.jpg; max-width:100%]</p><p>[img=/uploads/topics/sorcerer-s-aprentice-score-2-5b36ca4538cbb.jpg; max-width:95%]</p><div><br></div>',
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Suspense and Horror

Orchestration

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