Film Music Cliches
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<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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		'content' => '<p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><u><font color="#333333">Orchestration:</font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><p></p><p></p><p><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">When the&nbsp;<u>mood is intimate in nature</u>, the orchestration generally uses the following structure:</span></font></p><ul><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody is&nbsp;<b>placed in a solo instrument that's naturally lyrical</b>. Common choices include a solo woodwind (e.g., flute, clarinet, oboe, and English horn), solo horn, or solo piano. Additional common solo instruments include celesta, solo violin, or solo cello.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">When a slightly&nbsp;<b>larger <a href="/courses/viewTopic/973">texture</a></b>&nbsp;is desired, the melody can be placed in a single&nbsp;<b>string section</b>&nbsp;or the single string section can double the solo instrument. Most commonly, the string section used is violin I, but violin II, viola, and upper-register cello can also be used.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The&nbsp;<b>harmony is placed in the string section</b>. The harp, typically performing arpeggios of the chords, often supports the strings.</span></font></li></ul><h5><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></h5><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">James Newton Howard's "Snow White and The Huntsman"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- &nbsp;Sanctuary (measures 1-16)</span><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/snow-white-and-huntsman-1-16-5b2492b79c010.mp3]</span><br></p><p><span style="letter-spacing: 0.1px;">[img=/uploads/topics/snow-white-and-huntsman-1-16-rs-5b249b68304b6.jpg]</span><br></p><p><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">When the&nbsp;</span><u style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">mood is very intense</u><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;in nature, the orchestration typically follows the following structure:</span><br></p><ul><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody is&nbsp;<b>placed in multiple upper string sections</b>, doubled in unison or&nbsp;<b>octaves</b>. This includes some combination of violin I, violin II, viola, and upper-register cello.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody can be (but need not always be) doubled in the high woodwinds, possibly flute, oboe, English horn, and/or clarinet.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b><a href="/courses/viewTopic/973">Countermelodies</a> are common</b>&nbsp;in this context. Typically, they are placed in&nbsp;<b>multiple unison horns.</b>&nbsp;It is common to use 4–6 unison horns on a countermelody.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Other mid-range instruments, including English horn, low-register clarinets, viola, or upper-register cello can double countermelodies.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b>Harmony is placed in the low strings</b>&nbsp;(viola, cello, and bass), low brass (trombones and tuba), and low woodwinds (bassoons and bass clarinet).</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b>Upper woodwinds can be used for "ear candy</b>"—scales and runs that conform to the underlying harmonies and function as background "<b>flutte</b>r."</span></font></li></ul><h5><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></h5><p></p><p><b style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">James Newton Howard's "Snow White and The Huntsman"</b><span style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">&nbsp;- &nbsp;Sanctuary (measures 23-30)</span><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/snow-white-huntsman-sanctuary-m23-30-5b2492ccad582.mp3]</span><br></p><p><font color="#333333">[img=/uploads/topics/snow-white-huntsman-sanctuary-m23-30-rs-5b249c6d7a069.jpg]<br><br><span style="caret-color: rgb(51, 51, 51);">When the&nbsp;</span><u style="caret-color: rgb(51, 51, 51);">mood is sad in nature</u><span style="caret-color: rgb(51, 51, 51);">, the orchestration generally uses the following structure:</span></font></p><ul><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Fairly&nbsp;<b>limited</b>&nbsp;orchestration, more <b>intimate</b> setting</span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Usually the focus is&nbsp;heavily placed<b> </b>on the <b>string family.</b></span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The strings were typically supplemented by a few instruments from other families.</span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Melody placed on Oboe, Clarinet, English horn and Cello tend to add a sentiment of nostalgia.&nbsp;</span></font></font></li></ul><p></p><h5><font color="#333333"><span style="letter-spacing: 0.1px; caret-color: rgb(51, 51, 51);"><br></span></font></h5><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">John William's "Schindler's List"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- I Could Have Saved More (measures 1-16)</span></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/schindler-s-list-could-have-saved-1-16-5b2492e9be3e3.mp3]</span></p><p><font color="#333333">[img=/uploads/topics/schindler-s-list-i-could-have-saved-1-16-rs-5b32a91010f82.jpg]</font><br><br></p>',
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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	'name' => 'Film Music Cliches',
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	'problem_text' => '<p>Whether you're an experienced composer or someone who's just starting out on your journey, if you listen carefully you'll notice tha<b>t the world of film music has its own language and conventions</b>.</p><p>There are a set number of composition styles or <b>cliches</b> that almost all <b>cinematic music</b> falls into. Of course, every project will have its own direction but wouldn't it be nice if there was a place you could turn to get you started no matter what your director is asking for?</p>',
	'solution_title' => 'Getting Started - The Easy Way',
	'solution_text' => '<p>At Cinematic Composing, we analyzed the different styles or cliches and presented them in one <b>easy-to-follow course</b> that gives you the <b>jump-start</b> you need to <b>get going quickly and easily</b>.&nbsp;</p><p>This course is incredibly helpful and lays out everything you're going to need to compose music for almost any type of cue.&nbsp;</p>',
	'curriculum_text' => '<p>There are 5 main styles or cliches used in film and game music:&nbsp;</p>
<ul>
<li>Action music&nbsp;</li>
<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
</ul>
<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
<p>The aim of this course is to&nbsp;<strong>help you quickly and confidently get composing no matter what style is called for</strong>.&nbsp;</p>',
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	'learning_topics_list' => 'Edge of their seats.
Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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	'content' => '<p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><u><font color="#333333">Orchestration:</font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><p></p><p></p><p><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">When the&nbsp;<u>mood is intimate in nature</u>, the orchestration generally uses the following structure:</span></font></p><ul><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody is&nbsp;<b>placed in a solo instrument that's naturally lyrical</b>. Common choices include a solo woodwind (e.g., flute, clarinet, oboe, and English horn), solo horn, or solo piano. Additional common solo instruments include celesta, solo violin, or solo cello.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">When a slightly&nbsp;<b>larger <a href="/courses/viewTopic/973">texture</a></b>&nbsp;is desired, the melody can be placed in a single&nbsp;<b>string section</b>&nbsp;or the single string section can double the solo instrument. Most commonly, the string section used is violin I, but violin II, viola, and upper-register cello can also be used.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The&nbsp;<b>harmony is placed in the string section</b>. The harp, typically performing arpeggios of the chords, often supports the strings.</span></font></li></ul><h5><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></h5><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">James Newton Howard's "Snow White and The Huntsman"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- &nbsp;Sanctuary (measures 1-16)</span><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/snow-white-and-huntsman-1-16-5b2492b79c010.mp3]</span><br></p><p><span style="letter-spacing: 0.1px;">[img=/uploads/topics/snow-white-and-huntsman-1-16-rs-5b249b68304b6.jpg]</span><br></p><p><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">When the&nbsp;</span><u style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">mood is very intense</u><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;in nature, the orchestration typically follows the following structure:</span><br></p><ul><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody is&nbsp;<b>placed in multiple upper string sections</b>, doubled in unison or&nbsp;<b>octaves</b>. This includes some combination of violin I, violin II, viola, and upper-register cello.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The melody can be (but need not always be) doubled in the high woodwinds, possibly flute, oboe, English horn, and/or clarinet.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b><a href="/courses/viewTopic/973">Countermelodies</a> are common</b>&nbsp;in this context. Typically, they are placed in&nbsp;<b>multiple unison horns.</b>&nbsp;It is common to use 4–6 unison horns on a countermelody.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Other mid-range instruments, including English horn, low-register clarinets, viola, or upper-register cello can double countermelodies.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b>Harmony is placed in the low strings</b>&nbsp;(viola, cello, and bass), low brass (trombones and tuba), and low woodwinds (bassoons and bass clarinet).</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b>Upper woodwinds can be used for "ear candy</b>"—scales and runs that conform to the underlying harmonies and function as background "<b>flutte</b>r."</span></font></li></ul><h5><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></h5><p></p><p><b style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">James Newton Howard's "Snow White and The Huntsman"</b><span style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">&nbsp;- &nbsp;Sanctuary (measures 23-30)</span><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);"><br></span></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/snow-white-huntsman-sanctuary-m23-30-5b2492ccad582.mp3]</span><br></p><p><font color="#333333">[img=/uploads/topics/snow-white-huntsman-sanctuary-m23-30-rs-5b249c6d7a069.jpg]<br><br><span style="caret-color: rgb(51, 51, 51);">When the&nbsp;</span><u style="caret-color: rgb(51, 51, 51);">mood is sad in nature</u><span style="caret-color: rgb(51, 51, 51);">, the orchestration generally uses the following structure:</span></font></p><ul><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Fairly&nbsp;<b>limited</b>&nbsp;orchestration, more <b>intimate</b> setting</span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Usually the focus is&nbsp;heavily placed<b> </b>on the <b>string family.</b></span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The strings were typically supplemented by a few instruments from other families.</span></font></font></li><li><font color="#333333"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Melody placed on Oboe, Clarinet, English horn and Cello tend to add a sentiment of nostalgia.&nbsp;</span></font></font></li></ul><p></p><h5><font color="#333333"><span style="letter-spacing: 0.1px; caret-color: rgb(51, 51, 51);"><br></span></font></h5><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">John William's "Schindler's List"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- I Could Have Saved More (measures 1-16)</span></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">[audio=/uploads/topics/schindler-s-list-could-have-saved-1-16-5b2492e9be3e3.mp3]</span></p><p><font color="#333333">[img=/uploads/topics/schindler-s-list-i-could-have-saved-1-16-rs-5b32a91010f82.jpg]</font><br><br></p>',
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		'content' => '<p style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">&nbsp; &nbsp; &nbsp;<u>Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Most of the melodies are&nbsp;<b><a href="/courses/viewTopic/973">diatonic</a></b>.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">If the mood is more complex in nature, it is common to use exotic modes.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Melodies are based on the pitches in the underlying chord progression, with the vast majority of the pitches in the melody being chord tones.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">The most commonly used <b><a href="/courses/viewTopic/973">non-chord tones</a></b> are&nbsp;<b>passing tones</b>,&nbsp;<b>neighbor tones</b>, and&nbsp;<b>suspensions</b>.</span></font></li><li><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><b><a href="/courses/viewTopic/973">Countermelodies</a></b>&nbsp;can be used. When used, countermelodies have a rhythmic structure unique from the primary melody. This separates the two musical ideas in the ear of the listener.</span></font></li></ul><h6><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></h6><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">John William's "Schindler's List"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- I Could Have Saved More (measures 1-16)</span><font color="#333333"><span style="caret-color: rgb(51, 51, 51);"><br></span></font></p><p><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">[audio=/uploads/topics/schindler-s-list-could-have-saved-1-16-5b2492e9be3e3.mp3]</span></font></p><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); letter-spacing: 0.1px;">[img=/uploads/topics/schindler-s-list-i-could-have-saved-1-16-rs-5b32a91010f82.jpg]</span><br></p><div><br></div>',
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		'content' => '<p>This is the end of our journey through film music clichés course. We hope you enjoyed it and that studying the work of famous film composers got you inspired to dive further.&nbsp;</p><p><span style="letter-spacing: 0.1px;">As a way of wrapping up, let’s review what we went through.</span><br></p><p><span style="letter-spacing: 0.1px;">We first defined and elaborated on <b>eight different categories/styles of music</b> as it relates to its primary function in a given type of movie cue. We saw that ‘mood/drama’ music was designed to depict the inner thoughts and emotions of the characters while all the other styles were designed to describe the physical world around them and how it should affect them emotionally. &nbsp;</span><br></p><p><span style="letter-spacing: 0.1px;">We then discussed how each style should be approached and constructed to achieve its goal. We used<b> thirteen real life examples from AAA movies</b> to show how the music was composed to support the scenes.&nbsp;</span><br></p><p><span style="letter-spacing: 0.1px;">And finally we zeroed in on <b>eight techniques commonly used by composers</b> as found in our examples:</span><br></p><ol><li><span style="letter-spacing: 0.1px;">How to write around <b><a href="/courses/viewTopic/973">ostinatos</a></b></span></li><li><span style="letter-spacing: 0.1px;">How to use nonconventional <b><a href="/courses/viewTopic/973">modes</a></b></span></li><li><span style="letter-spacing: 0.1px;">How to write <b>different types of melodies</b> for <b>different purposes</b></span></li><li><span style="letter-spacing: 0.1px;">How to write around harmonic sequences made of seemingly three <b>unrelated <a href="/courses/viewTopic/973">triads</a></b></span></li><li><span style="letter-spacing: 0.1px;">How to <b>move melodic material</b> around the orchestra</span></li><li><span style="letter-spacing: 0.1px;">How to create <b><a href="/courses/viewTopic/973">abstract</a></b> interesting sonic <b><a href="/courses/viewTopic/973">textures</a></b></span></li><li><span style="letter-spacing: 0.1px;">How to organize <b><a href="/courses/viewTopic/973">dissonances</a></b></span></li><li><span style="letter-spacing: 0.1px;">How to use <b><a href="/courses/viewTopic/973">symmetrical scales</a></b></span></li></ol><p><br></p><p>Thanks again for journeying with us and we hope to keep contact through our platform and FB groups. We’d love to hear your music and we encourage you to keep studying and exploring this marvelous world that we love and that so many dedicated their life and talent to.</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">Thanks for participating in this course and happy composing!</span><br></p><p><br></p><p><span style="letter-spacing: 0.1px;">Martial Besombes</span><br></p><div><br></div>',
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include - APP/Template/Element/aside-main-sidebar.ctp, line 22
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::_renderElement() - CORE/src/View/View.php, line 1879
Cake\View\View::element() - CORE/src/View/View.php, line 783
include - APP/Template/Layout/adminlte.ctp, line 85
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::renderLayout() - CORE/src/View/View.php, line 939
Cake\View\View::render() - CORE/src/View/View.php, line 897
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 126
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