Orchestration 1: Instrumentation & Orchestration Basics
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Understanding the roots of the orchestra and how it has adapted over time gives us a powerful insight into its capabilities today.

Understand The 'Balance Of Power'
Learn to appreciate the sonic differences when the number of players in a section changes and how that, in turn, affects the balance of the orchestra in terms of the other sections.

Using The Clefs, Transposing, And The Written Score
You'll learn which instruments are written in which clefs, which need to transpose and how to produce a full score for concert and film scoring projects.

Introduction To Score Editors And Notation Programs
How to generate a written score using score editing software.

Discover The Construction, Playing Techniques, And Roles Of The Instruments
We'll take you 'section by section' and 'instrument by instrument' so you can get a feel of what each instrument is capable of, both in terms of its range, its tonality, and the roles it plays in the orchestra.

Understand How To Write For Each Orchestral Section
Now that you’ve learned how to idiomatically write for each instrument and section, now you’ll discover how to write for each section depending on the role that it’s taking. For example, how to write for violins when you need that soaring strings melody singing on top of the orchestra. Or how to make the cellos and basses provide a cinematic solid low end. How to harmonize trumpets and trombones for that climatic heroic motive. Or haw to arrange woods if we want to color a high strings melody. For each section, you’ll have supporting examples that you can listen to and follow along so you understand how each section performs when it’s performing a melody, countermelody, background, bass… and how it sounds different depending on the voicing, unison, or octaves. ',
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Understanding the roots of the orchestra and how it has adapted over time gives us a powerful insight into its capabilities today.

Understand The 'Balance Of Power'
Learn to appreciate the sonic differences when the number of players in a section changes and how that, in turn, affects the balance of the orchestra in terms of the other sections.

Using The Clefs, Transposing, And The Written Score
You'll learn which instruments are written in which clefs, which need to transpose and how to produce a full score for concert and film scoring projects.

Introduction To Score Editors And Notation Programs
How to generate a written score using score editing software.

Discover The Construction, Playing Techniques, And Roles Of The Instruments
We'll take you 'section by section' and 'instrument by instrument' so you can get a feel of what each instrument is capable of, both in terms of its range, its tonality, and the roles it plays in the orchestra.

Understand How To Write For Each Orchestral Section
Now that you’ve learned how to idiomatically write for each instrument and section, now you’ll discover how to write for each section depending on the role that it’s taking. For example, how to write for violins when you need that soaring strings melody singing on top of the orchestra. Or how to make the cellos and basses provide a cinematic solid low end. How to harmonize trumpets and trombones for that climatic heroic motive. Or haw to arrange woods if we want to color a high strings melody. For each section, you’ll have supporting examples that you can listen to and follow along so you understand how each section performs when it’s performing a melody, countermelody, background, bass… and how it sounds different depending on the voicing, unison, or octaves. ',
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	'solution_text' => '<p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="background-color: transparent; font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">Whether you’re producing an orchestral mock-up in a sequencer or writing for a group of real players, if you want to deliver an impressive sounding result you’ll need to have a sound understanding of the instruments you are writing for. </span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="background-color: transparent; font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;"><br></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><span style="background-color: transparent; font-variant-numeric: normal; font-variant-east-asian: normal; vertical-align: baseline;">And our ‘Instrumentation and Orchestration Basics’ is designed to give you exactly that. 
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Understanding the roots of the orchestra and how it has adapted over time gives us a powerful insight into its capabilities today.

Understand The 'Balance Of Power'
Learn to appreciate the sonic differences when the number of players in a section changes and how that, in turn, affects the balance of the orchestra in terms of the other sections.

Using The Clefs, Transposing, And The Written Score
You'll learn which instruments are written in which clefs, which need to transpose and how to produce a full score for concert and film scoring projects.

Introduction To Score Editors And Notation Programs
How to generate a written score using score editing software.

Discover The Construction, Playing Techniques, And Roles Of The Instruments
We'll take you 'section by section' and 'instrument by instrument' so you can get a feel of what each instrument is capable of, both in terms of its range, its tonality, and the roles it plays in the orchestra.

Understand How To Write For Each Orchestral Section
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	'learning_topics_list' => 'Learn How The Orchestra Evolved
Understanding the roots of the orchestra and how it has adapted over time gives us a powerful insight into its capabilities today.

Understand The 'Balance Of Power'
Learn to appreciate the sonic differences when the number of players in a section changes and how that, in turn, affects the balance of the orchestra in terms of the other sections.

Using The Clefs, Transposing, And The Written Score
You'll learn which instruments are written in which clefs, which need to transpose and how to produce a full score for concert and film scoring projects.

Introduction To Score Editors And Notation Programs
How to generate a written score using score editing software.

Discover The Construction, Playing Techniques, And Roles Of The Instruments
We'll take you 'section by section' and 'instrument by instrument' so you can get a feel of what each instrument is capable of, both in terms of its range, its tonality, and the roles it plays in the orchestra.

Understand How To Write For Each Orchestral Section
Now that you’ve learned how to idiomatically write for each instrument and section, now you’ll discover how to write for each section depending on the role that it’s taking. For example, how to write for violins when you need that soaring strings melody singing on top of the orchestra. Or how to make the cellos and basses provide a cinematic solid low end. How to harmonize trumpets and trombones for that climatic heroic motive. Or haw to arrange woods if we want to color a high strings melody. For each section, you’ll have supporting examples that you can listen to and follow along so you understand how each section performs when it’s performing a melody, countermelody, background, bass… and how it sounds different depending on the voicing, unison, or octaves. ',
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	'content' => '<p>The temple-blocks are an idiophone instrument made of hard wood, similar to the woodblocks, but with a darker and more resonant sound. They traditionally have the shape of a shell, with a bigger opening in the middle than the woodblocks, but nowadays they are usually square.</p><p>They come in a set of 5 sizes with different pitches, and they are mounted on a stand.</p><p>[img=/uploads/topics/temple-blocks-1500a-59dbb7a609dba.jpg]</p><p><br></p><p><b>NOTATION</b></p><p>The temple-blocks are written on a 5 line stave with neutral clef, with one size per line.</p><p>[img=/uploads/topics/temple-blocks-notation-59de54499019b.jpeg]</p><p><br></p><p><b>TECHNIQUES</b></p><p>The temple-blocks are normally played with the same techniques used on the woodblocks.</p><p><br></p><p><b>MALLETS</b></p><p>As with the techniques, the temple-blocks are usually played with the same mallets that a percussionist would use with the woodblocks.</p><p><br></p><p>[vzaar=11730485]</p>
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		'id' => (int) 3353,
		'name' => 'unPitched/Idioph: the Woodblocks',
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		'content' => '<p>The woodblocks are idiophones made up of pieces of rectangular hard wood with a deep, narrow and longitudinal slot that makes the instrument resonate. They are available in sets of three to five sizes which produce indefinite pitches from low (the bigger) to high (the smaller). To make&nbsp; the performance of different woodblocks easier, they are mounted on a stand or placed on a table.</p><p>[img=/uploads/topics/woodblocks-1500-59dbb676d2c96.jpg]</p><p><br></p><p><b>NOTATION</b></p><p>When we have one woodblock we use a 1 line stave and neutral clef. However, when we have a set we notate them on a 5 lines stave with one woodblock per line (in pitch order).</p><p>[img=/uploads/topics/woodblocks-notation-59de542a79f5b.jpeg]<br></p><p><br></p><p><b>TECHNIQUES</b></p><p>Common techniques with the woodblock include single strokes, rolls, and quick passages combining the different parts of the set.</p><p><br></p><p><b>MALLETS</b></p><p>The woodblock is usually played with wooden mallets, like xylophone and snare drum mallets. It can also be played with hard rubber, marimba, or plastic mallets.</p><p><br></p><p><i>Go to Temple-blocks to watch/listen an example comparing the two of them.</i></p>',
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		'content' => '<p>The claves are an idiophone made of a pair of cylindrical wooden sticks each with a similar size and held with one hand each. In each pair of claves there is always one that sounds higher and one that sounds lower. The first hand (left or right) holds the high clave to strike the low in the middle. The second hand has the low clave resting on the fingertips while the fingers make a cavity in the palm of the hand that behaves as a resonance chamber.</p><p>The claves produce a high pitch sound with a short decay of the sound. Claves can be an alternative to woodblocks or temple-blocks, as well the bed of rhythmic patterns layered in different percussion instruments, especially in Latin-American influenced music.</p><p>[img=/uploads/topics/claves-1500-59dbb8104780e.jpg]</p><p><br></p><p><b>NOTATION</b></p><p>The claves are written on a 1 line stave with neutral clef.</p><p>[img=/uploads/topics/maracas-notation-59de54638736b.jpeg]</p><p><br></p><p><b>TECHNIQUES</b></p><p>The claves are especially known for playing the basic rhythm in multilayered rhythmic patterns, as well as for playing single strokes.</p><p><br></p><p>[vzaar=11730447]</p>
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include - APP/Template/Layout/adminlte.ctp, line 85
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::renderLayout() - CORE/src/View/View.php, line 939
Cake\View\View::render() - CORE/src/View/View.php, line 897
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 126
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unPitched/Idioph: the Temple-blocks

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The Percussion Section

unPitched/Idioph: the Temple-blocks

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