Library Music: Create passive income streams
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<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



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<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


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[highlight]</p><p></p><p><br></p>


<p>[header=The course - How does it work?]
[vimeo=https://player.vimeo.com/video/247586933]</p><p><br></p>[header=What is inside the Library Music course]<div class="row"><div class="col-md-4 mt-3" style="width: 488.656px;">[img=uploads/topics/library-single-box-left-5a8ddf7523b21.png]</div><div class="col-md-8 mt-3" style="width: 977.328px;"><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">The system behind this course has been perfected over the last 9 years, ever since I started using orchestral samples.</span><br></p><p>You’ll learn specific steps and exact professional techniques, such as how to pick the right patches and mix samples.</p><p>You’ll not only know what you’re doing, but you’ll also know exactly HOW to do it. This is your practical guide.</p></div></div><p><span style="letter-spacing: 0.1px;">



</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
<p>Every week, we’re hosting a live video-chat, where we gather to talk about orchestration, sample libraries, templates, composing techniques, etc.</p>

<p>This is a great tool that allows us to meet each other and makes the online experience more alive.</p>

<p>All chats are recorded so you can watch them later if you can’t attend the session. </p>
</div>



<div class="col-md-5 mt-3">
[img=uploads/topics/live-video-chats2-5a8cbcfc44510.png]
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<p><br></p><p><span style="letter-spacing: 0.1px;">[header=Meet your instructor] [instructor]</span></p>





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[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
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<div class="col-md-5 mt-3">
<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


<p style="text-align: center;"><br></p><p style="text-align: center;">The course is constantly under development, with new content added on a steady basis. As a student, you'll get every update completely for free.</p>
</div>


</div>


<p></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span><span style="letter-spacing: 0.1px;">[countdown]&nbsp;</span><span style="letter-spacing: 0.1px;">[prices]</span></p><p><span style="letter-spacing: 0.1px;">&nbsp;[header=What others have asked][faq]</span></p><p><span style="letter-spacing: 0.1px;">[header=Click below and get started]&nbsp;</span>[countdown]<span style="letter-spacing: 0.1px;">&nbsp;[prices]</span></p><p><br></p><p></p><p></p><p><br></p><p>
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		'content' => '<h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Making money in the Library Music industry is certainly a<b> marathon</b> rather than a sprint. It may be hard at the beginning, as you are finding your feet and learning about what sells and what doesn’t sell. Like everything in life though, if you stick at it and are <b>persistent</b>, your efforts will eventually <b>pay off</b>.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Library Music is mostly about <b>generating passive income</b>. Yes some publishers offer buyouts for the future rights of tracks, but the majority of income is made in the <b>subsequent years</b> after you have written a particular track. For me it is still a magical feeling checking my balances on various sites and seeing that I’ve just made some money from tracks that I wrote five years ago.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">To anyone just starting out in Library Music, I would recommend that you make a <b>5 year plan</b>, broken down into yearly goals. Print out your plan and attach it to the wall in your studio, so you don’t lose focus of your goals.&nbsp;&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">See below for a plan I would recommend. Of course yours might be different, depending on your other commitments.&nbsp;</font></h4><div><br></div><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 1</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Aim to write 30 high quality tracks, in a variety of styles.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Upload 15 of these tracks to an exclusive stock site such as Audio Jungle and the other 15 to ten of your chosen non exclusive publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Keep a detailed account of the sales from each site together with which tracks and genres sell the most.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 2</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-As you get better and faster at writing, aim to write 50 tracks (one a week).</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-If you have good sales with your exclusive stock site, upload 25 of your 50 tracks to this site.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">&nbsp;-Research and upload the remaining 25 tracks to 10 new non exclusive publishers. Aim to upload tracks regularly throughout the year. You should now have 40 tracks with 20 different non exclusive&nbsp; publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again keep detailed sales accounts in a spreadsheet. By now you should have a clear idea of which sites are providing you with the best sales.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 3&nbsp;&nbsp;</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again aim to write another 50 tracks.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Based on your sales data from the previous two years, only upload to the libraries which are providing you with a good return.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Research some of the higher quality exclusive libraries. 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</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


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<p>[header=The course - How does it work?]
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</span></p><p><span style="letter-spacing: 0.1px;"><br></span></p><p>[modules]</p><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">[header=Weekly live video-chats]


</span></p><p></p><div class="row">



<div class="col-md-7 mt-3">
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<div class="col-md-5 mt-3">
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<p><br></p><p><span style="letter-spacing: 0.1px;">[header=Meet your instructor] [instructor]</span></p>





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[img=uploads/topics/macbook-mockup2-1-5a8cdbf730c3e.png]
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<h2 style="text-align: center;"><br></h2><h2 style="text-align: center;">Lifetime updates</h2>


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	'content' => '<h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Making money in the Library Music industry is certainly a<b> marathon</b> rather than a sprint. It may be hard at the beginning, as you are finding your feet and learning about what sells and what doesn’t sell. Like everything in life though, if you stick at it and are <b>persistent</b>, your efforts will eventually <b>pay off</b>.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Library Music is mostly about <b>generating passive income</b>. Yes some publishers offer buyouts for the future rights of tracks, but the majority of income is made in the <b>subsequent years</b> after you have written a particular track. For me it is still a magical feeling checking my balances on various sites and seeing that I’ve just made some money from tracks that I wrote five years ago.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">To anyone just starting out in Library Music, I would recommend that you make a <b>5 year plan</b>, broken down into yearly goals. Print out your plan and attach it to the wall in your studio, so you don’t lose focus of your goals.&nbsp;&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">See below for a plan I would recommend. Of course yours might be different, depending on your other commitments.&nbsp;</font></h4><div><br></div><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 1</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Aim to write 30 high quality tracks, in a variety of styles.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Upload 15 of these tracks to an exclusive stock site such as Audio Jungle and the other 15 to ten of your chosen non exclusive publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Keep a detailed account of the sales from each site together with which tracks and genres sell the most.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 2</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-As you get better and faster at writing, aim to write 50 tracks (one a week).</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-If you have good sales with your exclusive stock site, upload 25 of your 50 tracks to this site.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">&nbsp;-Research and upload the remaining 25 tracks to 10 new non exclusive publishers. Aim to upload tracks regularly throughout the year. You should now have 40 tracks with 20 different non exclusive&nbsp; publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again keep detailed sales accounts in a spreadsheet. By now you should have a clear idea of which sites are providing you with the best sales.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 3&nbsp;&nbsp;</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Again aim to write another 50 tracks.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Based on your sales data from the previous two years, only upload to the libraries which are providing you with a good return.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Research some of the higher quality exclusive libraries. Aim to make contact with a publisher who will offer buyouts or upfront fees for your tracks.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><b><u>Year 4</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Aim to write between 50 and 100 tracks.</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Depending on your success, you may be able to devote a large proportion of your time to writing library music.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Try to split your tracks among high end exclusive libraries and your best performing non exclusive libraries, in order to maintain and grow your passive income.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">&nbsp;<b><u>Year 5</u></b></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-If you are generating enough income to compose full time, aim to write 100+ tracks per year.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-Keep researching and making contact with high end exclusive libraries, aiming to sell your music with a variety of exclusive publishers.&nbsp;</font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></p><p style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">-You should also see an income from royalties, from your tracks with high end exclusive publishers.&nbsp;</font></p><div><br></div>',
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		'id' => (int) 387,
		'name' => 'How long to compose a track?',
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		'content' => '<p><span style="letter-spacing: 0.1px; color: rgb(51, 51, 51);">Throughout my years of writing on a variety of projects, I have discovered that my natural writing speed is about <b>15 seconds of music per hour</b>. Of course when I have had imminent deadlines, I have achieved faster speeds, but this is my general speed in normal circumstances.&nbsp;</span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">I also apply this rate of composing to my Library tracks. If we go on the presumption that the <b>average Library track is around two minutes</b> in length, that would equate to me spending roughly <b>8 hours on each track</b>. I generally mix as I write, but this doesn’t include mastering, final tweaks etc.&nbsp;&nbsp;</span></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">If I am writing the track for a publisher who offers buyout fees, it is relatively easy to work out an hourly writing rate. This doesn’t take into account any revisions which the publisher may ask for, but it at least gives you a rough idea.&nbsp;</span><br></p><p><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">Of course with stock sites or publishers where you will generate a passive income, it is a little more hit and miss. A track may take off and sell like hot cakes, or it may only sell a few times in its lifetime. For this reason, I always place a <b>limit</b> on how long I spend on a track which is <b>destined for a stock site</b> - for me that is <b>two days.</b></span><br></p><div><br></div><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;"></b><br></p>',
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		'content' => '<h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><span style="color: rgb(51, 51, 51);">&nbsp;</span><font color="#333333">A <b>Performing Rights Organisation</b> (PRO) is an organisation which <b>collects royalties</b> on your behalf, if your music is ever <b>broadcast or streamed</b> on television and radio. This may be your music for specific projects which you’ve scored, or it may be in the form of your Library music tracks which have found their way onto a video project which is broadcast. There can be a fee to join a PRO, but this fee will easily pay for itself over the lifetime of your music.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">The <b>extent of your income</b> from Royalties will be completely <b>reliant</b> on the <b>type</b> and <b>quality</b> of Publishers who you are with.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">For example, if you have the majority of your tracks with a <b>stock publisher</b> such as<b> Audio Jungle</b> or Pond5,&nbsp; you will <b>rarely</b> generate any royalty based<b> income</b>, as these are primarily ‘Royalty Free Sites’. On the other hand, if you have a <b>large quantity</b> of tracks with the heavyweight <b>exclusive libraries</b> such as Extreme Music or Audio Network, (who’s tracks frequently find their way into large scale film/television productions) then your <b>royalty income</b> is likely to be <b>substantial.</b>&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">For a lot of publishers such as Premiumbeat or Really Slow Motion, it is a <b>contractual requirement</b> for the composer to belong to a Performing Rights Society, in order for them to successfully manage the publishing of their tracks.&nbsp;&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">Most countries have their own Performing Rights Societies, and in the United States, BMI, ASCAP and SESAC are the most well known. The collection agency for the UK is PRS. If you are unsure which is the main Royalty collection agency in your country, try searching on google.&nbsp;</font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333"><br></font></h4><h4 style="line-height: 1.38; margin-top: 0pt; margin-bottom: 0pt;"><font color="#333333">If you have tracks with a high end exclusive publisher, they will normally handle all of the&nbsp; admin related to registering your tracks. You will have to provide them with information such as your PRO membership number and any writing splits etc.&nbsp;</font></h4><div><br></div><div><br></div>',
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