Film Music Cliches
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<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
</ul>
<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
<p>The aim of this course is to&nbsp;<strong>help you quickly and confidently get composing no matter what style is called for</strong>.&nbsp;</p>',
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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		'content' => '<p><span style="letter-spacing: 0.1px;"><b>High Intensity&nbsp;Action</b> music is designed to create a lot of surprises, shocks and quick rush of emotions.&nbsp;</span><span style="letter-spacing: 0.1px;">The tension is high and there's a constant sense of uncertainty.&nbsp;</span></p><h5><span style="letter-spacing: 0.1px;"><br></span></h5><p><b style="color: rgb(51, 51, 51); font-size: 17.5px; letter-spacing: normal;">John Powell's "Bourne Ultimatum"</b><span style="color: rgb(51, 51, 51); font-size: 17.5px; letter-spacing: normal;">&nbsp;- 5M16 Tangier Bike Race (measures 71-78)</span></p><p style="color: rgb(51, 51, 51);"></p><p style="color: rgb(51, 51, 51);"></p><p>[audio=/uploads/topics/bourne-ultimatum-3m6-mes-71-78-5b1db8c6e9141.mp3]</p><p>[img=/uploads/topics/2-bourne-ultimatum-3m6-71-76-rs-5b392acd8dac9.jpg; max-width:100%]<br></p><p><u style="letter-spacing: 0.1px;">Rhythm:&nbsp;</u><br><span style="letter-spacing: 0.1px;"></span></p><ul><li>Tempi range from 112 BPM to 168BPM with&nbsp;<b>fast sub-divisions</b>.</li><li>It's common to use&nbsp;<b>odd meters</b>&nbsp;(5/4 - 7/8) and/or use&nbsp;<b>syncopations</b>&nbsp;with&nbsp;<b>displaced accents</b>.</li><li>Unpredictable metric changes</li><li>Hits</li></ul><h6><br></h6><p><u>Harmony:</u></p><ul><li><b><a href="/courses/viewTopic/973">Dissonances</a></b>&nbsp;are very common.&nbsp;</li><li>Tritons and Minor Seconds are very common</li><li>Use of&nbsp;<b>non conventional&nbsp;<a href="/courses/viewTopic/973">scales</a></b></li><li><b>Fast <a href="/courses/viewTopic/973">modulations</a></b>&nbsp;and chord changes</li></ul><h6><br></h6><p><u>Tritonic harmonic sequence</u></p><p>[audio=/uploads/topics/1-2-triton-harmonic-sequence-5b25fa40b2f2b.mp3]</p><p>[img=/uploads/topics/1-2-harmony-tritons-sequence-5b3bd0fcc1d78.jpg; max-width:100%]<br></p><p><u style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">If present, melodies are more&nbsp;<b>fragmented</b>&nbsp;than anything else</span></span></li><li>Often use&nbsp;<b>non conventional&nbsp;scales/<a href="/courses/viewTopic/973">modes</a></b></li></ul><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">In our example, John Powell uses the&nbsp;</span><b style="letter-spacing: 0.1px;">Phrygian b4</b><span style="letter-spacing: 0.1px;">&nbsp;mode in Bourne Ultimatum.</span><br></p><p><u>Phr</u>yg<u>ian b4</u></p><p>[audio=/uploads/topics/1-2-minor-alt-scale-5b25eb9933767.mp3]</p><p>The scene follow a chase in the street of Tangier (Morocco). This mode is the closest 'tempered' scale we have to a traditional&nbsp;<u>'microtonal' Arabic scale</u>&nbsp;called&nbsp;<b>Maqam Huzam</b>. This is a great choice to bring us to this exotic location.&nbsp;</p><p>[audio=/uploads/topics/1-2-chase-in-tangier-melody-5b25f0680a487.mp3]<br></p><p>[img=/uploads/topics/1-2-minor-alt-scale-5b3bd1f34b905.jpg]<br></p><p><u style="letter-spacing: 0.1px;"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Orchestration:</span></font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span><br></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">It requires a&nbsp;<b>large instrumentation</b></span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><a href="/courses/viewTopic/973">Ostinatos</a> and repeated figures are generally placed in the upper strings (Vl1, Vl2, Vla and/or Cello)</span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><b>Accents</b>&nbsp;can be added with&nbsp;<b>Brass and/or Percussions</b></span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><b>Woodwinds&nbsp;</b>are commonly used to create&nbsp;<b>fast runs</b>, either as incidental elements or as a part of the background to add movement</span></span></li><li>Bass lines are spread&nbsp;across the bass of the whole families (Woodwinds, Brass, Strings, Percussions)</li></ul>',
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<ul>
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<li>Comedy music</li>
<li>Mood and Drama music</li>
</ul>
<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
<p>The aim of this course is to&nbsp;<strong>help you quickly and confidently get composing no matter what style is called for</strong>.&nbsp;</p>',
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Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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	'problem_text' => '<p>Whether you're an experienced composer or someone who's just starting out on your journey, if you listen carefully you'll notice tha<b>t the world of film music has its own language and conventions</b>.</p><p>There are a set number of composition styles or <b>cliches</b> that almost all <b>cinematic music</b> falls into. Of course, every project will have its own direction but wouldn't it be nice if there was a place you could turn to get you started no matter what your director is asking for?</p>',
	'solution_title' => 'Getting Started - The Easy Way',
	'solution_text' => '<p>At Cinematic Composing, we analyzed the different styles or cliches and presented them in one <b>easy-to-follow course</b> that gives you the <b>jump-start</b> you need to <b>get going quickly and easily</b>.&nbsp;</p><p>This course is incredibly helpful and lays out everything you're going to need to compose music for almost any type of cue.&nbsp;</p>',
	'curriculum_text' => '<p>There are 5 main styles or cliches used in film and game music:&nbsp;</p>
<ul>
<li>Action music&nbsp;</li>
<li>Fantasy music</li>
<li>Suspense and Horror music</li>
<li>Comedy music</li>
<li>Mood and Drama music</li>
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<p>Sometimes within each style, there will also be a number of sub-styles. For example, the Action category consists of High Intensity, Action Hero, Action Villain and Action Adventure which are similar in some ways but very different in others.</p>
<p>The aim of this course is to&nbsp;<strong>help you quickly and confidently get composing no matter what style is called for</strong>.&nbsp;</p>',
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	'learning_topics_list' => 'Edge of their seats.
Learn how to compose an edge-of-your-seat High-Intensity Action cue.

Super Anyone?
Bring an Action Hero to life with a bold cue.

Tap into the Dark Side
Uncover the secrets to getting an audience to fear and despise an Action Villain.

Hold On To Your seats
Discover how to score an Action-Adventure blockbuster.

Somewhere Out There
Help your audience lose themselves in the Fantasy world.

Somebody Please Turn On The Lights
Keep your audience guessing with Suspense and Horror.

Knee Slapping Fun
Uncover the tips for writing quirky Comedy.

Things Just ain't Quite Right around Here
Keep the pot boiling with effective Mood and Drama cues.',
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	'id' => (int) 4087,
	'name' => 'High-Intensity Action',
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	'content' => '<p><span style="letter-spacing: 0.1px;"><b>High Intensity&nbsp;Action</b> music is designed to create a lot of surprises, shocks and quick rush of emotions.&nbsp;</span><span style="letter-spacing: 0.1px;">The tension is high and there's a constant sense of uncertainty.&nbsp;</span></p><h5><span style="letter-spacing: 0.1px;"><br></span></h5><p><b style="color: rgb(51, 51, 51); font-size: 17.5px; letter-spacing: normal;">John Powell's "Bourne Ultimatum"</b><span style="color: rgb(51, 51, 51); font-size: 17.5px; letter-spacing: normal;">&nbsp;- 5M16 Tangier Bike Race (measures 71-78)</span></p><p style="color: rgb(51, 51, 51);"></p><p style="color: rgb(51, 51, 51);"></p><p>[audio=/uploads/topics/bourne-ultimatum-3m6-mes-71-78-5b1db8c6e9141.mp3]</p><p>[img=/uploads/topics/2-bourne-ultimatum-3m6-71-76-rs-5b392acd8dac9.jpg; max-width:100%]<br></p><p><u style="letter-spacing: 0.1px;">Rhythm:&nbsp;</u><br><span style="letter-spacing: 0.1px;"></span></p><ul><li>Tempi range from 112 BPM to 168BPM with&nbsp;<b>fast sub-divisions</b>.</li><li>It's common to use&nbsp;<b>odd meters</b>&nbsp;(5/4 - 7/8) and/or use&nbsp;<b>syncopations</b>&nbsp;with&nbsp;<b>displaced accents</b>.</li><li>Unpredictable metric changes</li><li>Hits</li></ul><h6><br></h6><p><u>Harmony:</u></p><ul><li><b><a href="/courses/viewTopic/973">Dissonances</a></b>&nbsp;are very common.&nbsp;</li><li>Tritons and Minor Seconds are very common</li><li>Use of&nbsp;<b>non conventional&nbsp;<a href="/courses/viewTopic/973">scales</a></b></li><li><b>Fast <a href="/courses/viewTopic/973">modulations</a></b>&nbsp;and chord changes</li></ul><h6><br></h6><p><u>Tritonic harmonic sequence</u></p><p>[audio=/uploads/topics/1-2-triton-harmonic-sequence-5b25fa40b2f2b.mp3]</p><p>[img=/uploads/topics/1-2-harmony-tritons-sequence-5b3bd0fcc1d78.jpg; max-width:100%]<br></p><p><u style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">If present, melodies are more&nbsp;<b>fragmented</b>&nbsp;than anything else</span></span></li><li>Often use&nbsp;<b>non conventional&nbsp;scales/<a href="/courses/viewTopic/973">modes</a></b></li></ul><p><span style="letter-spacing: 0.1px;"><br></span></p><p><span style="letter-spacing: 0.1px;">In our example, John Powell uses the&nbsp;</span><b style="letter-spacing: 0.1px;">Phrygian b4</b><span style="letter-spacing: 0.1px;">&nbsp;mode in Bourne Ultimatum.</span><br></p><p><u>Phr</u>yg<u>ian b4</u></p><p>[audio=/uploads/topics/1-2-minor-alt-scale-5b25eb9933767.mp3]</p><p>The scene follow a chase in the street of Tangier (Morocco). This mode is the closest 'tempered' scale we have to a traditional&nbsp;<u>'microtonal' Arabic scale</u>&nbsp;called&nbsp;<b>Maqam Huzam</b>. This is a great choice to bring us to this exotic location.&nbsp;</p><p>[audio=/uploads/topics/1-2-chase-in-tangier-melody-5b25f0680a487.mp3]<br></p><p>[img=/uploads/topics/1-2-minor-alt-scale-5b3bd1f34b905.jpg]<br></p><p><u style="letter-spacing: 0.1px;"><font color="#333333"><span style="caret-color: rgb(51, 51, 51);">Orchestration:</span></font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span><br></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">It requires a&nbsp;<b>large instrumentation</b></span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><a href="/courses/viewTopic/973">Ostinatos</a> and repeated figures are generally placed in the upper strings (Vl1, Vl2, Vla and/or Cello)</span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><b>Accents</b>&nbsp;can be added with&nbsp;<b>Brass and/or Percussions</b></span></span></li><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;"><b>Woodwinds&nbsp;</b>are commonly used to create&nbsp;<b>fast runs</b>, either as incidental elements or as a part of the background to add movement</span></span></li><li>Bass lines are spread&nbsp;across the bass of the whole families (Woodwinds, Brass, Strings, Percussions)</li></ul>',
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		'id' => (int) 4088,
		'name' => 'Action Hero',
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		'content' => '<h4 style="color: rgb(0, 0, 0);">Contrary to the&nbsp;High Intensity&nbsp;Action cues, we want to be more&nbsp;<b>stable</b>. Action Hero cues will&nbsp;<b>use a melody</b>&nbsp;to personify the main character of the movie.&nbsp;</h4><p style="color: rgb(0, 0, 0);"><br></p><p><b style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">James Horner's "The Amazing Spiderman"</b><span style="color: rgb(51, 51, 51); letter-spacing: 0.1px;">&nbsp;- 1M1 Main Title/Young Peter (measures 13-20)</span></p><p><span style="letter-spacing: 0.1px;">[audio=/uploads/topics/amazing-spiderman-1m1-13-20-5b244c711ee56.mp3]</span></p><p>[img=/uploads/topics/3-amazing-spiderman-1m1-13-20-rs-5b36b28625e31.jpg; max-width:100%]<br></p><p><u>Rhythm:&nbsp;</u></p><ul><li>More moderate. Tempi range from 112 BPM to 132BPM</li><li>&nbsp;It's common to use&nbsp;<b>dotted rhythmic figures</b>.&nbsp;</li><li><b>Triplets</b>&nbsp;are also commonly used</li></ul><h6><br></h6><p>&nbsp; &nbsp;&nbsp;<u>Harmony:</u></p><ul><li>Mostly in a&nbsp;<b>Major&nbsp;scale</b></li><li>Frequently use chord progressions with<b>&nbsp;lowered degrees&nbsp;</b>- b7 - b6 and b3 &nbsp;</li></ul><h6><br></h6><p>&nbsp;&nbsp;<span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">&nbsp;&nbsp;&nbsp;</span><u style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li>Melodies are typically in&nbsp;<b>major&nbsp;key.</b></li><li>Commonly use&nbsp;<b><a href="/courses/viewTopic/973" target="_blank">diatonic intervals</a></b></li><li>Melodic contours&nbsp;emphasizes&nbsp;the use of perfect<b>&nbsp;4th, 5th&nbsp;and&nbsp;octaves.</b>&nbsp;&nbsp;</li><li>Typically uses logical 8 or 16 bar phrases<br>&nbsp;</li></ul><p>&nbsp;&nbsp;&nbsp;&nbsp;<span style="letter-spacing: 0.1px;">James Horner's theme for the Young Peter will be used throughout the score in different settings. As we can see&nbsp;on&nbsp;the diagram below, it's a very&nbsp;<b>symmetrical&nbsp;musical&nbsp;phrase</b>: 20 notes </span>&nbsp;&nbsp;&nbsp;&nbsp;<span style="letter-spacing: 0.1px;">divided&nbsp;in&nbsp;2 large phrases accounting for a total of 19 intervals. About half of them are perfect&nbsp;<b>4th, 5th&nbsp;and&nbsp;8va</b>. The rest of the intervals are solely comprised of&nbsp;<b>diatonic seconds</b>. &nbsp;&nbsp;</span><br></p><p>[audio=/uploads/topics/1-3-action-hero-melody-5b280930921ba.mp3]</p><p>[img=/uploads/topics/1-3-action-hero-melody-symetry-and-intervals-5b3bd371ef07a.jpg; max-width:100%]</p><h6><br></h6><h6><br></h6><p>&nbsp;&nbsp;&nbsp;&nbsp;And as a caveat, we can even find two '<b>hidden' 4th</b>. We just have to skip a couple notes. Even being not conjoint, we can hear those 4th &nbsp;because they find themselves at the&nbsp;<b>contour of the </b><b>melody</b>&nbsp;<b>shape.</b></p><p>[img=/uploads/topics/1-3b-hidden-intervals-score-5b36b6966558a.jpg; max-width:100%]</p><p><br></p><h4><p style="font-family: Lato;"><span style="letter-spacing: 0.1px;">The reason for using&nbsp;</span><b style="letter-spacing: 0.1px;">perfect intervals</b><span style="letter-spacing: 0.1px;">&nbsp;(4th, 5th,&nbsp;Unisson&nbsp;and&nbsp;8va) to depict a&nbsp;</span><b style="letter-spacing: 0.1px;">noble character</b><span style="letter-spacing: 0.1px;">&nbsp;probably comes from the medieval times, when 'hunt' type of&nbsp;</span><span style="letter-spacing: 0.1px;">musical&nbsp;</span><span style="letter-spacing: 0.1px;">phrases&nbsp;were&nbsp;used</span>&nbsp;<span style="letter-spacing: 0.1px;">to&nbsp;</span><span style="letter-spacing: 0.1px;">herald royalty. Somehow we have kept this association. Regardless of the reason, 1) it works and 2) it's nice to have a quick way&nbsp;to &nbsp;separate&nbsp;melody types.&nbsp;</span><br></p><div><span style="letter-spacing: 0.1px;"><br></span></div></h4><p><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">&nbsp;</span><u><font color="#333333">Orchestration:</font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">It requires a&nbsp;<b>large instrumentation</b></span></span></li><li>Emphasizes the melody by placing it in the high Brass (Tp - Hn)</li><li>Very often will&nbsp;<b>move the melody between orchestral sections&nbsp;</b>- moving from Trumpet to Strings to Horn for example.</li></ul>',
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		'content' => '<h4 style="color: rgb(0, 0, 0);">Action Villain cues will also use a melody to personify the main character of the movie.&nbsp;They&nbsp;contrast from the Action Hero cues by being more&nbsp;<b>somber</b>&nbsp;in character and by carrying more&nbsp;<b><a href="/courses/viewTopic/973">dissonances</a></b>.</h4><p><u><br></u></p><p style="color: rgb(51, 51, 51);"><b>Alan Silvestri's "The Mummy Returns"</b>&nbsp;- 1M1 Main Title (measures 1-41)</p><p>[audio=/uploads/topics/mummy-return-scorpion-king-1m1-1-41-5b244bdaa5416.mp3]</p><p>[img=/uploads/topics/4-mummy-return-scorpion-king-1m1-1-41-rs-5b36b9b96d692.jpg]<br></p><p><u>Rhythm:&nbsp;</u></p><ul><li>More moderate. Tempi range from 92 BPM to 136BPM</li><li>&nbsp;Also commonly uses&nbsp;<b>dotted rhythmic figures&nbsp;</b>and&nbsp;<b>triplets</b></li></ul><h6><u style="font-size: 17px; letter-spacing: 0.1px; font-family: Lato;"><br></u></h6><h6><u style="font-size: 17px; letter-spacing: 0.1px; font-family: Lato;">Harmony:</u><br></h6><ul><li>Mostly in a&nbsp;<b>Minor scales&nbsp;</b>with<b>&nbsp;added&nbsp;<a href="/courses/viewTopic/973">chromaticism</a></b>&nbsp;and&nbsp;<b>Octatonic scales</b></li><li>Frequent use of tritones &nbsp; &nbsp; &nbsp;</li></ul><p><br></p><p>In "The Mummy Return', &nbsp;Silvestri uses some variations of&nbsp;<b><span style="caret-color: rgb(0, 0, 0); letter-spacing: 0.1px;">Phrygian<span class="Apple-converted-space">&nbsp;</span></span>scale&nbsp;</b>with&nbsp;<b>added <a href="/courses/viewTopic/973">chromaticism</a></b>&nbsp;to introduce the Scorpion King character. &nbsp;He avoids using any chord to express the harmonic material in this excerpt, but instead systematically&nbsp;<b>harmonizes</b>&nbsp;the melody in&nbsp;<b>perfect fifth.&nbsp;</b>This allow him to accomplish a few things:</p><ol><li>A feel of archaic music, middle eastern music.&nbsp;</li><li>A sense of power. Open fifth &nbsp;are are very rich, especially in horn instruments. (Guitarist call those 'Power Chords' don't they ?)</li><li>Both forces him and allows him to use a restricted amount of notes for the melody in order to keep the integrity of the scale. As a result, the melodic phrases are limited to 3-5 notes, reinforcing the archaic feel of the piece.&nbsp;</li></ol><p><br></p><p>[audio=/uploads/topics/1-4a-action-vilain-harmony-modes-5b2ca10d68db3.mp3]<br></p><p>[img=/uploads/topics/1-4-action-vilain-exotic-harmonies-and-melodies-5b3bd5aa867ea.jpg; max-width:100%]<br></p><p>[audio=/uploads/topics/1-4b-action-vilain-melody-5b2ca120344e1.mp3]</p><h6><br></h6><p><u style="letter-spacing: 0.1px; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51);">Melody:</u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li>Melodies are&nbsp;typically &nbsp;<b>very&nbsp;<a href="/courses/viewTopic/973">chromatic</a>.</b></li><li>Commonly use&nbsp;<b>tritones&nbsp;</b>and&nbsp;<b>dissonant intervals</b></li><li>Typically uses logical 8 or 16 bar phrases<br>&nbsp;</li></ul><p><u><font color="#333333">Orchestration:</font></u><span style="letter-spacing: 0.1px;">&nbsp;&nbsp;</span></p><ul><li><span style="caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-size: 14px;"><span style="caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-size: 17px;">It requires a&nbsp;<b>large instrumentation</b></span></span></li><li>Emphasizes the melody by placing it in the high Brass (Tp - Hn)</li><li>Very often will&nbsp;<b>move the melody between orchestral sections&nbsp;</b>- moving from Trumpet to Strings to Horn for example.</li></ul>',
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	'enrolledVersion' => false,
	'openingWeeks' => false,
	'available_revisions' => (int) 0,
	'is_a_demo_topic' => false,
	'is_a_demo_version' => false,
	'is_a_bonus_topic' => false,
	'is_available_to_suscribers' => true,
	'enrollment' => [],
	'upsell' => [],
	'course_enrollments' => [],
	'isTeacher' => false,
	'expired_suscription' => true
]
include - APP/Template/Element/aside/course-outline.ctp, line 21
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::_renderElement() - CORE/src/View/View.php, line 1879
Cake\View\View::element() - CORE/src/View/View.php, line 783
include - APP/Template/Element/aside-main-sidebar.ctp, line 22
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::_renderElement() - CORE/src/View/View.php, line 1879
Cake\View\View::element() - CORE/src/View/View.php, line 783
include - APP/Template/Layout/adminlte.ctp, line 85
Cake\View\View::_evaluate() - CORE/src/View/View.php, line 1435
Cake\View\View::_render() - CORE/src/View/View.php, line 1393
Cake\View\View::renderLayout() - CORE/src/View/View.php, line 939
Cake\View\View::render() - CORE/src/View/View.php, line 897
Cake\Controller\Controller::render() - CORE/src/Controller/Controller.php, line 791
Cake\Http\ActionDispatcher::_invoke() - CORE/src/Http/ActionDispatcher.php, line 126
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